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masque |
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masque, courtly form of dramatic spectacle, popular in England in the first half of the 17th cent. The masque developed from the early 16th-century disguising, or mummery, in which disguised guests bearing presents would break into a festival and then join with their hosts in a ceremonial dance. As the form evolved, the important elements retained were the use of the mask and the mingling of actors and spectators. Reaching its height in the early 17th cent., the masque became a magnificent and colorful spectacle, presented in public theaters and, with more splendor, in the royal courts. The actors personified pastoral and mythological figures, with great emphasis placed on music and dance. The foremost writer of the masque was Ben Jonson Jonson, Ben, 1572–1637, English dramatist and poet, b. Westminster, London. The high-spirited buoyancy of Jonson's plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. ..... Click the link for more information. . However, it was his collaborator Inigo Jones Jones, Inigo (ĭn`ĭgō'), 1573–1652, one of England's first great architects. ..... Click the link for more information. , the theatrical architect, famous for his elaborate costume designs, settings, and scenic effects, who gave the masque its greatest popularity. Some of their more successful masques include The Masque of Blackness (1605) and Pleasure Reconciled to Virtue (1618). BibliographySee A. Nicoll, Stuart Masques and the Renaissance Stage (1937); E. Welsford, The Court Masque (1927, repr. 1962); S. K. Orgel, The Jonsonian Masque (1965); S. Sutherland, Masques in Jacobean Tragedy (1984). masqueShort dramatic entertainment performed by masked actors. It originated in the folk ceremony known as mummery (see mumming play) and evolved into elaborate court spectacles in the 16th–17th centuries. A masque presented an allegorical theme using speeches, dances, and songs, in a performance often embellished with rich costumes and spectacular scenery. The genre reached its height in 17th-century England when the court poet, Ben Jonson, collaborating with Inigo Jones on many notable masques (1605–34), gave it literary force. The masque later developed into opera. masque, mask 1. a dramatic entertainment of the 16th to 17th centuries in England, consisting of pantomime, dancing, dialogue, and song, often performed at court 2. the words and music written for a masque How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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Like Daniel Vitkus, he offers that they constitute a genre, though the forms and venues are clearly disparate: civic pageants, closet dramas, court masques, royal entertainments, and stage plays. The chapter discusses plays including The Second Maiden's Tragedy, The Duke of Milan, The White Devil, The Traitor, and 'Tis Pity She's A Whore, arguing that, like court masques and dissections, these plays aestheticize and perspectivally frame female bodies. s concern with Britishness cannot but be justified by the fact that this was the hot political topic of the early years of James's reign, resounding, for example, throughout all Jonson's early court masques. |
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