cuneiform

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cuneiform

(kyo͞onē`ĭfôrm) [Lat.,=wedge-shaped], system of writingwriting,
the visible recording of language peculiar to the human species. Writing enables the transmission of ideas over vast distances of time and space and is a prerequisite of complex civilization.
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 developed before the last centuries of the 4th millennium B.C. in the lower Tigris and Euphrates valley, probably by the Sumerians (see SumerSumer
and Sumerian civilization
. The term Sumer is used today to designate the southern part of ancient Mesopotamia. From the earliest date of which there is any record, S Mesopotamia was occupied by a people, known as Sumerians, speaking a non-Semitic language.
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). The characters consist of arrangements of wedgelike strokes generally impressed with a stylus on wet clay tablets, which were then dried or baked. The history of the script is strikingly parallel to that of the Egyptian hieroglyphichieroglyphic
[Gr.,=priestly carving], type of writing used in ancient Egypt. Similar pictographic styles of Crete, Asia Minor, and Central America and Mexico are also called hieroglyphics (see Minoan civilization; Anatolian languages; Maya; Aztec).
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 (see also alphabetalphabet
[Gr. alpha-beta, like Eng. ABC], system of writing, theoretically having a one-for-one relation between character (or letter) and phoneme (see phonetics). Few alphabets have achieved the ideal exactness.
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 and inscriptioninscription,
writing on durable material. The art is called epigraphy. Modern inscriptions are made for permanent, monumental record, as on gravestones, cornerstones, and building fronts; they are often decorative and imitative of ancient (usually Roman) methods.
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). The normal Babylonian and Assyrian writing used a large number (300–600) of arbitrary cuneiform symbols for words and syllables; some had been originally pictographic. There was an alphabetic system, too, making it possible to spell a word out, but because of the adaptation from Sumerian, a different language, there were many ambiguities. A single symbol could be used to represent a concept, an object, a simple sound or syllable, or to indicate the category of words requiring additional definition. Cuneiform writing was used outside Mesopotamia also, notably in ElamElam
, ancient country of Asia, N of the Persian Gulf and E of the Tigris, now in W Iran. A civilization seems to have been established there very early, probably in the late 4th millennium B.C. The capital was Susa, and the country is sometimes called Susiana.
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 and by the Hittites (see Anatolian languagesAnatolian languages
, subfamily of the Indo-European family of languages (see The Indo-European Family of Languages, table); the term "Anatolian languages" is also used to refer to all languages, Indo-European and non-Indo-European, that were spoken in Anatolia in ancient times.
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). There are many undeciphered cuneiform inscriptions, apparently representing several different languages. Cuneiform writing declined in use after the Persian conquest of Babylonia (539 B.C.), and after a brief renaissance (3d–1st cent. B.C.) ceased to be used in Mesopotamia. A very late use of cuneiform writing was that of the Persians, who established a syllabary for Old Persian. This is the writing of the Achaemenids (mid-6th cent. B.C.–4th cent. B.C.), whose greatest monument is that of Darius I at Behistun. Key discoveries of cuneiform inscriptions have been made at Nineveh, Lagash, Uruk, Tell el Amarna, Susa, and Boğazköy. Two great names in the interpretation of cuneiforms are those of Sir Henry C. RawlinsonRawlinson, Sir Henry Creswicke,
1810–95, English Orientalist and administrator; brother of George Rawlinson. In the course of his service with the Persian army and as consul at Baghdad, Rawlinson became interested in deciphering the cuneiform of the Behistun Inscriptions
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 and G. F. GrotefendGrotefend, Georg Friedrich
, 1775–1853, German archaeologist and philologist. He specialized in Latin and Italian and wrote works on the Umbrian and Oscan languages and other subjects, but his greatest achievement was deciphering inscriptions of Persian cuneiform.
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.

Bibliography

See E. Chiera, They Wrote on Clay (1956); J. D. Prince, Assyrian Primer (1909, repr. 1966); A. Gaur, A History of Writing (1984).

Cuneiform

Designs having a wedge-shaped form; especially applied to characters, or to the inscriptions in such characters, of the ancient Mesopotamians and Persians.

Cuneiform

 

writing formed by pressing into clay wedge-shaped lines; used in Asia Minor.

Cuneiform first appeared in Sumer in about 3,000 B.C. The Sumerians began to convey in images the names of certain specific objects and general concepts. Thus, a picture of a leg conveyed the concepts “to walk” (Sumerian du- and rá-) “to stand” (gub-) “to bring” (turn-), and so on. There were about 1,000 symbols. The symbols were only guidelines for the memory, fixing the most important aspects of the thought conveyed, rather than connected speech, but since the readers spoke Sumerian the symbols were linked to specific words. This made possible the use of symbols to designate combinations of sounds independent of their meaning; thus, the symbol for “leg” could be used not only for the verbs mentioned but also for the syllables du-, ra-, and so on; the symbol for “star” could designate such nouns as dingir (“god”) and an (“sky”), the syllable an, and so on.

Verbal-syllabic writing became a system by the middle of the third millennium B.C. The stem of a noun or verb was expressed by an ideograph (a symbol for a concept), and grammatical markers and connecting words were expressed by symbols conveying their syllabic value. Homonymous stems of different meaning were expressed by different symbols (homophony). Each symbol could have several meanings, both syllabic and concept-related (polyphony). A small number of radicals—un-pronounced markers—were used to single out words that expressed concepts of certain specific categories, such as birds, fish, and occupations. The number of symbols was reduced to 600, not counting combined symbols. As writing became faster, the figures were simplified. The lines of the symbols were pressed with a rectangular stick that entered the clay at an angle and therefore created a wedge-shaped depression. At first the writing was in vertical columns, from right to left; later it was line by line from left to right. (See Table 1 for the development of cuneiform symbols.)

The Akkadians (Babylonians and Assyrians) adapted cuneiform writing to their own Semitic inflected language in the middle of the third millennium B.C., reducing the number of symbols to 300 and devising new syllabic values corresponding to the Akkadian phonetic system; purely phonetic (syllabic) notations of words began to be used. However, the use of Sumerian ideographs and the writing of certain words and expressions (in the Akkadian reading) also continued. The Akkadian cuneiform system spread beyond Mesopotamia and was adapted to Elamite, Hurrian, Hittite, Luwian, and Urartian. Beginning in the second half of the first millennium B.C., cuneiform was used for religious and legal purposes only in certain cities of southern Mesopotamia (for the already dead Sumerian and Akkadian languages).

There are cuneiform remains in various forms—prisms, cylinders, cones, and stone slabs; clay tablets were most widely used. A great number of cuneiform texts have survived: business documents, historical inscriptions, epics, dictionaries, mathematical and other scientific works, and religious and magical texts.

The most important examples of cuneiform are (1) the Ugaritic cuneiform alphabet from the city of Ugarit (Ras Shamra), second millennium B.C., which was an adaptation of the ancient Semitic alphabet to clay writing and is similar to Akkadian cuneiform only in the method of making the symbols, and (2) the Iranian (ancient Persian) syllabic cuneiform of the sixth to fourth centuries B.C., whose deciphering was started by the German scholar G. F. Grotefend in 1802; the trilingual Persian-Elamite-Akkadian inscriptions made possible the deciphering of Akkadian cuneiform, done in the 1850’s by the scholars H. C. Rawlinson of Britain, E. Hincks of Ireland, and J. Oppert of France.

The Sumerian cuneiform system was deciphered by a number of scholars at the turn of the 20th century, and the Ugaritic system was deciphered in 1930–32 by the French scholar C. Virolleaud and the German scholar H. Bauer and others. The decipherment of the archaic Sumerian picture writing was started by the Soviet scholar A. A. Vaiman. The Hittite and

Urartian cuneiform systems, which fall within the Akkadian system, did not require deciphering as such.

REFERENCES

Friedrich, I. Deshifrovka zabytykh pis’mennostei i iazykov. Moscow, 1961. (Translated from German.)
Vaiman, A. A. “K rasshifrovke protoshumerskoi pis’mennosti.” In Peredneaziatskii sbornik, fase. 2. Moscow, 1966.
D’iakonov, I. M. lazyki drevnei Perednei Azii Moscow, 1967.

I. M. D’IAKONOV

cuneiform

[′kyü·nē·ə‚fȯrm]
(anatomy)
Any of three wedge-shaped tarsal bones.
Either of a pair of cartilages lying dorsal to the thyroid cartilage of the larynx.
Wedge-shaped, chiefly referring to skeletal elements.

cuneiform

Having a wedge-shaped form; esp. applied to characters, or to the inscriptions in such characters, of the ancient Mesopotamians and Persians.

cuneiform

1. of, relating to, or denoting the wedge-shaped characters employed in the writing of several ancient languages of Mesopotamia and Persia, esp Sumerian, Babylonian, etc.
2. of or relating to a tablet in which this script is employed
3. any one of the three tarsal bones
References in periodicals archive ?
Here the curator enthusiastically produces ancient barley grains from huge storage jars and translates a plaque whose cuneiform script records the names of the builder and other local people.
By far the largest body of early writing comes from Uruk, written on clay tablets in the pictographic signs which later developed into the cuneiform script.
Written in cuneiform script on a baked clay cylinder, the charter recounts his treatment of the Babylonians following his defeat of their empire in 539 BC.
It begins with a very concise description of the available Hittite textual corpus and the cuneiform script before presenting chapters on noun formation and declension, verbal formation and conjugation, pronominal inflection, and the syntax of particles, conjunctions, and clauses.
Massimiliano Marazzi has in my opinion convincingly shown that there is no reason to assume that wooden writing boards were written with the hieroglyphic instead of the cuneiform script.
There is considerable overlap between some of the chapters and it seems strange to put the chapter on the development of the cuneiform script after detailed discussions on the tablets.
It is apparent Edzard was more at home with a discussion of the "Sumerischen Hochkultur," speaking authoritatively on the early cuneiform script, theories about tokens, the "Sumerian Question," and other aspects of Uruk Mesopotamia.
Some scholars have explicitly insisted on this point with regard to the use of cuneiform in Canaan: van der Toorn emphasizes that "instruction in the cuneiform script went hand in hand with the acquisition of Akkadian as a language"; Demsky states that scribal education involved the study of both the Sumerian and Akkadian languages; meanwhile, Izre'el, clearly aware of the underlying epistemological issue, insists that the Canaanite scribes understood Akkadian to be a language distinct from their own, and that they thought Akkadian was the language in which they wrote.
The West Semitic local language(s) are directly represented in our corpus in lexical lists, glosses, and three texts inscribed in a "southern" version of the alphabetic cuneiform script dating to the Late Bronze Age best known from Ugarit.
When one adds in irrational disposition of tablets between museums, overworked (and underpaid) museum staff, conflicting interests, human error, the turbulent political conditions of the twentieth century, and the usual disparity between good intentions and reality, it seems likely that only new excavations that discover tablets in stratified context are likely to bring satisfactory answers to the numerous historical questions that surround the invention of cuneiform script.
31), or reference to the cuneiform script as difficult for the ancient scribe (p.
The origin of the Ugaritic cuneiform alphabet was explained by derivation from the syllabic cuneiform script, by free formation of signs from basic elements, by imitation of Egyptian hieratic script, and by analogy to Phoenician linear script.