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Dalí, Salvador

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Dalí, Salvador (sälväthōr` dälē`, dä`lē), 1904–89, Spanish painter. At first influenced by futurism futurism, Italian school of painting, sculpture, and literature that flourished from 1909, when Filippo Tommaso Marinetti's first manifesto of futurism appeared, until the end of World War I.
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, in 1924 Dalí came under the influence of the Italian painter de Chirico Chirico, Giorgio de , 1888–1978, Italian painter, b. Vólos, Greece. Chirico developed his enigmatic vision in Munich and Italy and from 1911 to 1915 he worked and exhibited in Paris.
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 and by 1929 he had become a leader of surrealism surrealism , literary and art movement influenced by Freudianism and dedicated to the expression of imagination as revealed in dreams, free of the conscious control of reason and free of convention.
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. His precisely realistic style enhances the obsessively nightmarish effect of many of his paintings. Among his best-known works is Persistence of Memory (1931; Mus. of Modern Art, New York City) with its strangely melting clocks. In 1940 Dalí escaped from Nazi-occupied France and emigrated to the United States. He wrote The Secret Life of Salvador Dalí (1942) and also made surrealist ventures in films (e.g., Luis Buñuel Buñuel, Luis , 1900–83, Spanish film director, b. Calanda, Aragón. In his best films, he used poetic, often bizarre imagery and black humor to question and undermine all claims of authority and knowledge.
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's Un Chien andalou, 1928), advertising, and the ballet. A self-proclaimed genius, Dalí was certainly a multitalented artist–a superb draftsman whose wildly inventive imagination has left a strong impression on contemporary culture. However, his publicity-seeking antics, commercialism, and encouragement of art-world trickery that made fake Dalí prints an industry caused some to brand him a charlatan. The Salvador Dalí Museum, St. Petersburg, Fla., and Teatre-Museu Dalí, Figueres, Spain, are devoted to his works.

Bibliography

See his diary, ed. by M. Déon (tr. 1965), Diary of a Genius (tr. 1994); C. Maurer, ed., Sebastian's Arrows: Letters and Momentos of Salvador Dalí and Federico García Lorca (2004); R. Descharnes and G. Neret, Dali: The Paintings (2 vol., 2004); biographies by I. G. De Liano (1984), R. Rom (1985), M. Etherington-Smith (1993), and I. Gibson (1998); studies by C. Lake (1969), H. N. Finkelstein (1996), R. Goff (1998), and R. Radford (1998).


Dalí (y Domenech), Salvador (Felipe Jacinto)

Enlarge picture
“Dali Atomicus,” or Dali with everything in suspension, photograph by Philippe Halsman, …
(credit: © Philippe Halsman)
(born May 11, 1904, Figueras, Spain—died Jan. 23, 1989, Figueras) Spanish painter, sculptor, printmaker, and designer. He studied in Madrid and Barcelona before moving to Paris, where, in the late 1920s, after reading Sigmund Freud's writings on the erotic significance of subconscious imagery, he joined the Surrealist group of artists. Once Dalí hit on this method, his painting style matured with extraordinary rapidity, and from 1929 to 1937 he produced the paintings that made him the world's best-known Surrealist artist. His paintings depict a dream world in which commonplace objects, painted with meticulous realism, are juxtaposed, deformed, or metamorphosed in bizarre ways. In his most famous painting, The Persistence of Memory (1931), limp watches melt in an eerie landscape. With Luis Buñuel he made the Surrealist films Un Chien andalou (1928) and L'Âge d'or (1930). Expelled from the Surrealist movement when he adopted a more academic style, he later designed stage sets, jewelry, interiors, and book illustrations. His highly accessible art—and the publicity attracted by the eccentricity, exhibitionism, and flamboyant behaviour he cultivated throughout his life—made him extremely wealthy.



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