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Danish literature

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Danish literature, the literature of Denmark.

Early Writings

The earliest literature of Denmark is preserved in the runic carvings on nearly 275 stone monuments erected to the Vikings c.850–1050. A number of these are written in alliterative verse. The Danish legends of the heroic period were preserved in the work of Saxo Grammaticus Saxo Grammaticus , c.1150–c.1220, the first important Danish historian. He was in the service of Absalon, archbishop of Lund, at whose suggestion Saxo wrote the Gesta Danorum (or Historia Danica). The first nine books, translated (1893, repr.
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 (fl. 12th cent.). With Christianity came the epic poetry of the scholastics, the legends of saints, and theological works written in Latin. The Danish folk song appeared in the 12th cent., stimulated by customs of knighthood and chivalry. Danish literature of the later Middle Ages, primarily in Latin, was formal and ecclesiastical; it included annals, chronicles, legends, and a few poems.

The Sixteenth and Seventeenth Centuries

The Reformation stimulated religious polemic and satire as well as the literary use of the Danish language. The Danish translation of the New Testament, completed in 1531 by the humanist Christian Pedersen (d. 1554), who also published an edition of Saxo (1514), greatly influenced Danish literature. In 1535 Hans Tausen (1494–1561) translated the Old Testament. From the Reformation also dates modern Danish drama, which was long a medium for religious moralizing. Fine poetry in the Renaissance manner was created in the early 17th cent. by Anders Arrebo Arrebo, Anders , 1587–1637, Danish poet, bishop of Trondheim. His massive narrative poem, the Hexaemeron (written c.1630, pub. 1661), introduced the alexandrine meter to N Europe, where it became the vehicle for serious poetry.
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, and baroque verse reached its zenith as rendered by the clergyman Thomas Kingo (1634–1703).

The Eighteenth and Nineteenth Centuries

Ludvig Holberg Holberg, Ludvig, Baron , 1684–1754, Danish dramatist, essayist, poet, and historian, apostle of the Enlightenment in Scandinavia. Born in Norway, he studied theology in Bergen and in Copenhagen.
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 introduced the ideas of the Enlightenment Enlightenment, term applied to the mainstream of thought of 18th-century Europe and America. Background and Basic Tenets


The scientific and intellectual developments of the 17th cent.
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 in the 18th cent., and neoclassical poetry, the drama, and the essay flourished, following French and English models. German influence is seen in the verse of the leading poets of the late 18th cent., Johannes Ewald Ewald, Johannes , 1743–81, Danish poet. Ewald's elegant verse made him the leading poet of his time. He studied for the ministry but soon turned to writing. His lyrical tragic drama Adam and Eve (1769) showed the influence of Klopstock.
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 and Jens Baggesen Baggesen, Jens , 1764–1826, Danish poet and satirist, b. Sjæland. Although a Germanophile, Baggesen was considered the leading Danish poet of his day.
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.

It was maintained by the romantic school, fathered by Adam Oehlenschläger Oehlenschläger, Adam Gottlob , 1779–1850, Danish romantic poet and dramatist. Oehlenschläger turned for themes to the sagas and to Scandinavian history; he is known as the national poet of Denmark. His poem "The Golden Horns" (1803, tr.
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. A transcendent figure in Danish literary culture was N. F. S. Grundtvig Grundtvig, Nikolai Frederik Severin , 1783–1872, Danish educator, minister, and writer, founder of the Danish folk high school. He came into doctrinal conflict with church authorities and was forbidden to preach but was reinstated (1832) and became titular
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; both he and Oehlenschläger influenced the poet and novelist Bernhard Ingemann Ingemann, Bernhard Severin , 1789–1862, Danish poet, playwright, and novelist. As teacher and director of Soro Academy, Ingemann adopted the folk high school principles of N. F. S. Grundtvig.
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. A more aesthetic ideal was promulgated by the dramatist and essayist J. L. Heiberg Heiberg, Johan Ludvig , 1791–1860, Danish writer, director of the National Theater. In the play Christmas Fun and New Year's Jesting (1817), he satirized leading contemporary writers.
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; two of his protégés were the philosopher Søren Kierkegaard Kierkegaard, Søren Aabye , 1813–55, Danish philosopher and religious thinker. Kierkegaard's outwardly uneventful life in Copenhagen contrasted with his intensive inner examination of self and society, which resulted in various profound writings; their dominant
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 and Hans Christian Andersen Andersen, Hans Christian, 1805–75, Danish poet, novelist, and writer of fairy tales. Reared in poverty, he left Odense at 14 for Copenhagen. He failed as an actor, but his poetry won him generous patrons including King Frederick VI.
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, renowned for his fairy tales.

Although S. S. Blicher may have been the first Danish realist, the actual breakthrough to realism was inspired by the internationally influential critic Georg Brandes Brandes, Georg Morris Cohen , 1842–1927, Danish literary critic. His influence brought the wide currents of contemporary European thought to Danish and other Scandinavian literatures.
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 and was reflected in the novels of J. P. Jacobsen Jacobsen, Jens Peter , 1847–85, Danish writer. His historical romance Marie Grubbe (1876, tr. 1917) deals with spiritual degeneration in 17th-century Denmark. Jacobsen's other works include Nels Lyhne (1880, tr.
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, H. J. Bang, Karl Gjellerup Gjellerup, Karl Adolf , 1857–1919, Danish poet and novelist, b. Sjæland. His early novels, naturalistic and partly autobiographical, include The Young Denmark (1879) and The Disciple of the Teutons (1882).
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, and Hendrik Pontoppidan Pontoppidan, Henrik , 1857–1943, Danish novelist. He shared the 1917 Nobel Prize in Literature with Gjellerup. Pontoppidan devoted himself to engineering, journalism, and travel before the appearance of his first major work, The Promised Land (tr.
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 and in the early verse of H. H. Drachmann Drachmann, Holger Henrik Herholdt , 1846–1908, Danish poet and dramatist. His early work was influenced by the political realism of Georg Brandes, but his later writing was sometimes romantic and lyrical.
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. The novelists Karin Michaëlis and Gyrithe Lemche were among the many women writers, mainly realists, active by the late 19th cent.

The Twentieth Century

By 1900 a lyrical reaction was being led by the poet J. J. Jørgensen Jørgensen, Jens Johannes , 1866–1956, Danish poet and religious writer. He reacted against the naturalism of Georg Brandes and, in such works as Poems (1898), turned to symbolism and emotion.
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; impressionistic themes became important, but were never the sole fruit of Danish literary endeavor. Both before and after World War I Martin Andersen Nexø Nexø, Martin Andersen , 1869–1954, Danish novelist. Born one of 11 children in a Copenhagen slum, he spent his impoverished childhood largely on the island of Bornholm. Both locales appear centrally in his novels.
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 wrote in a context of proletarian realism, and J. V. Jensen Jensen, Johannes Vilhelm , 1873–1950, Danish writer. As a young man he studied medicine; his interest in biology and anthropology is obvious throughout his works.
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 employed elements of realism and fantasy alike. Fantasy was dominant in the tales of Isak Dinesen Dinesen, Isak , pseud. of Baroness Karen Blixen, 1885–1962, Danish author, who wrote primarily in English. In 1914 she married Baron Blixen and went to live in British East Africa, on a coffee plantation.
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, while the theater was enlivened by the dramas of Kaj Munk Munk, Kaj , 1898–1944, Danish playwright, a clergyman. His ethical plays, traditional in form, led the Danish dramatic revival in the 1930s. Among them is The Word (1932), which deals with resurrection and faith.
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 and the brilliant stage technique of Kjeld Abell Abell, Kjeld , 1901–61, Danish playwright. Abell's Melody That Got Lost (1935, tr. 1939) was an early success. Trained as a stage designer, he was an innovator in stage technique.
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.

The period following World War II saw the passing of a number of great figures and the emergence of Martin Hansen, Aage Dons, H. C. Branner, Frank Jäger, Tove Ditlevsen, and Knut Sønderby as outstanding Danish writers. Leading writers of the following generation have included Ole Sarvig, Klaus Rifbjerg, Villy Sørensen, Benny Andersen Andersen, Benny , 1929–, Danish writer and musician. Andersen is a noted jazz artist, composer, and writer. He has written novels, children's books, and screenplays, but is best known for his poetry, which is marked by humor and wordplay.
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, Inger Christensen, and Peter Hoeg.

Bibliography

See P. M. Mitchell, A History of Danish Literature (2d ed. 1971); F. J. B. Jansen and P. M. Mitchell, ed., Anthology of Danish Literature (1972; bilingual); P. Borum, Danish Literature (1979); S. Rossel, A History of Danish Literature (1992).



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