Dietrich, Marlene (märlā`nə dē`trĭkh), 1901–92, German-American film actress and singer, b. Berlin. Dietrich began her career as a violinist. She then studied drama, appearing on the stage in Vienna and Berlin before her great film success as the femme fatale Lola in The Blue Angel (1930). In the late 1930s, she modified her image to play more light-hearted characters and proved herself an excellent farceur. Her other films included Shanghai Express (1932), Destry Rides Again (1939), Foreign Affair (1948), and Witness for the Prosecution (1957). After World War II she appeared internationally in concerts, in cabarets, and on television.

Bibliography

See biographies by S. Bach (1992) and D. Spoto (1992).

Dietrich, Marlene

orig. Maria Magdalene Dietrich

Marlene Dietrich.

(credit: Pictorial Parade)

(born Dec. 27, 1901, Berlin, Ger.—died May 6, 1992, Paris, France) German-U.S. film actress and singer. After joining Max Reinhardt's theatre company in 1922, she appeared in German films and became an international star as the destructive cabaret singer Lola-Lola in Josef von Sternberg's The Blue Angel (1930). Sternberg took her to Hollywood, where they made many films together, including Morocco (1930), Shanghai Express (1932), and The Scarlet Empress (1934), which established her aura of glamorous sophistication and languid sensuality. During World War II she made over 500 appearances before Allied troops. She also starred in films such as Destry Rides Again (1939), A Foreign Affair (1948), Witness for the Prosecution (1957), and Touch of Evil (1958). She toured widely as a nightclub performer into the 1960s, singing trademark songs such as “Falling in Love Again.”

Dietrich, (Maria Magdalene) Marlene (1901–92) film actress, singer; born in Berlin, Germany. Abandoning an early ambition to be a violinist, she became a chorus girl, then studied acting; by 1923 she had launched her career in German films. She gained international attention in The Blue Angel (1930) and moved to Hollywood with its director, Josef von Sternberg, who starred her in six films that enforced her persona of enigmatic sexuality. Eventually she moved on to a variety of admired roles in dramas and comedies. Resisting requests by the Nazis to return to Germany, she became a U.S. citizen in 1939 and during World War II made extensive tours, often into combat zones, to entertain Allied troops. After the war, she began a new career as a singer, gaining a new following with her husky, sophisticated renditions. Linked romantically with many men, but married only once (in 1924, to Rudolf Sieber), she spent her last years in Paris.