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Boucicault, Dion
(redirected from Dionysius Lardner Boursiquot)

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Boucicault, Dion (b`sĭkō), 1822?–1890, Anglo-Irish dramatist and actor. At 19 he had success with his play London Assurance at Covent Garden, London. In 1853 he went to the United States with his wife, Agnes Robertson, an actress who was the adopted daughter of Charles Kean. Boucicault became known for his work there as well as in London. A prolific writer who successfully employed theatrical tricks, he wrote or adapted over 300 farces, comedies, and melodramas, in which he often acted. The most notable of these were Grimaldi (1855), The Sidewalks of New York (1857), The Octoroon (1859), The Colleen Bawn (1860), Arrah-na-Pogue (1864), Rip Van Winkle (1865, with Joseph Jefferson), The O'Dowd (1873), and The Shaughraun (1874). The growth of the road company that performs one play owes much to Boucicault's influence.

Bibliography

See his Art of Acting (1916); study by R. G. Hogan (1969).


Boucicault, Dion

 orig. Dionysius Lardner Boursiquot

(born Dec. 26, 1820/22, Dublin, Ire.—died Sept. 18, 1890, New York, N.Y., U.S.) Irish-born U.S. playwright. He began acting in 1837 and wrote the successful comedy London Assurance (1841) and The Corsican Brothers (1852). In 1853 he moved to New York City, where he was instrumental in obtaining the first copyright law for drama in the U.S. His successful play The Poor of New York (1857) was presented elsewhere—as, for example, The Poor of London. Concerned with social themes, he wrote a veiled attack on slavery in The Octoroon (1859). He also wrote a series of popular Irish plays, including The Colleen Bawn (1860) and The Shaughraun (1874).


Boucicault, Dion (b. Dionysius Lardner Boursiquot) (1820–90) playwright, actor, theater manager; born in Dublin, Ireland. A versatile theatrical personality, he wrote or adapted some 130 plays, including London Assurance (1841) and The Poor of New York (1857), becoming one of the most popular playwrights of his era. Most of his plays are now forgotten, but The Octoroon (1860) is notable for its condemnation of slavery. He came to America in 1853, where, along with George Henry Boker and others, he worked to pass the first American Copyright Law of 1856. He was based in London from 1862–72, then returned to the U.S.A.


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