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Domenico Veneziano |
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Domenico Veneziano (dōmā`nēkō vānātsyä`nō), c.1400–1461, Italian painter. His origin is unknown, although his name suggests that he came from Venice. His art, with rich coloring and detailed landscape settings, has close affinities with northern painting. In Florence he created his most celebrated work, the St. Lucy Altarpiece (central panel in the Uffizi). It is one of the first works in which the Madonna and Saints are brought into the same spatial volume (Sacra Conversazione). Other paintings attributed to him are several Madonnas (Settignano; National Gall., London; National Gall. of Art, Washington, D.C.); an exquisite circular painting of the Adoration of the Magi (Berlin); and some portraits (National Gall. of Art, Washington, D.C.; Gardner Mus., Boston). Domenico Veneziano(born c. 1410, Venice, Republic of Venice—died May 15, 1461, Florence, Republic of Florence) Italian painter. He was active mainly in Florence, where he settled c. 1439. Two signed works survive: fresco fragments of the Virgin and Child from a street tabernacle (1430s) and the altarpiece for the church of Santa Lucia dei Magnoli, called the St. Lucy Altarpiece (c. 1445), one of the outstanding Florentine early Renaissance paintings of the mid 15th century and Domenico's most successful experiment in rendering outdoor light. He used colour and texture as the basis of perspective and composition; his influence can be seen in the work of Alesso Baldovinetti. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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Essentially a brilliant decorator and a shrewd assimilator, with occasional flashes of inspiration, the artist was a quick study, learning from Ghiberti (this link discussed at length by Ahl), Masaccio, Filippo Lippi, Castagno, Domenico Veneziano, and Mantegna. In 1438 Domenico Veneziano wrote to Piero de' Medici in the hope of securing a Florentine commission. In doing so, he influenced artists such as Domenico Veneziano and Jacopo Bellini, who produced similar effects only much later. |
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