Dorothy Parker


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Parker, Dorothy

(Dorothy Rothschild Parker), 1893–1967, American short-story and verse writer, b. West End, N.J. While serving as drama critic for Vanity Fair (1916–17) and book critic for the New Yorker (1927), she gained an almost legendary reputation for her sardonic wit. Her first volume of poetry, Enough Rope (1926), brought her fame, and she followed it with such volumes as Death and Taxes (1931) and Not So Deep as a Well (1936). Although decidedly light and often flippant, Parker's satiric verse is carefully crafted and stunningly concise. Her short stories satirizing aspects of modern life are witty, wry, and often poignant. "Big Blond" is probably her best-known story. Collections of stories include Laments for the Living (1930) and Here Lies (1939). Her Collected Stories was published in 1942 and her Collected Poetry in 1944. She collaborated with Arnaud d'Usseau on the play Ladies of the Corridor (1953).

Bibliography

See biographies by J. Keats (1970) and M. Meade (1987); study by A. F. Kinney (1978).

Parker, Dorothy

 

(pen name of Dorothy Rothschild). Born Aug. 22, 1893, in West End, N.J.; died June 7, 1967, in New York. American writer.

Parker presented a satiric portrait of bourgeois mores in her poetry (the collections Enough Rope, 1926, and Sunset Gun, 1928), as well as in her short stories (for example, the collections Laments for the Living, 1930, and After Such Pleasures, 1933). These works are permeated with contempt for the hypocrisy, banality, egoism, and mercenary quality of the bourgeois milieu. In the 1920’s and 1930’s, Parker took part in the progressive movement of American intellectuals; during the McCarthy period, she was persecuted.

WORKS

Constant Reader. New York, 1970.
The Collected Dorothy Parker. London, 1973.
In Russian translation:
Novelly. Moscow, 1959.

REFERENCES

Keats, J. You Might As Well Live. … New York, 1970.

Parker, Dorothy (b. Rothschild)

(1893–1967) poet, writer; born in West End, N.J. She attended Catholic and private schools, then became an editor and writer for several periodicals in New York City, notably the New Yorker (1925–57). She was a member of the famous Algonquin Hotel Round Table luncheon group (1920s), and was known for her caustic wit. She moved to Hollywood, Calif., in the 1930s, wrote stage and screen plays, fiction, and poetry, and later returned to New York.
References in periodicals archive ?
Graphic Design Before Graphic Designers, the Printer as Designer and Craftsman from 1700-1914 David Jury (Thames and Hudson, PS36) Since this excellent book concerns graphic design in all its forms, I was reminded of a story concerning the legendary Dorothy Parker, once part of a circle of American wits who, in a way, have never been equalled in the annals of wit and style, something which reached its high point in the New York of the 1930s and forties.
It also collects portraits of Ernest Hemingway, Dorothy Parker, Truman Capote, JFK, Marilyn Monroe, Lee Harvey Oswald, Madonna, Bill Clinton, and others as they appeared in some of his best magazine pieces.
of Washington) examines how stories of emotional trauma and psychological stress impacted 150 journalist-turned-novelists and journalist-literary figures in the US and UK from the early 1700s to today, like Charles Dickens, Edgar Allan Poe, Ernest Hemingway, Elie Wiesel, Dorothy Parker, Jack London, Virginia Woolf, and Truman Capote.
Debate over whether to save UWS Dorothy Parker home [DNAinfo]
Built at the turn of the 19th century, the Algonquin became famous for its Round Table, a circle of writers and actors that frequented the hotel, including Robert Benchley, Dorothy Parker, and Robert Sherwood.
Watson wasn't perfect, however, and made some baffling errors such as coming up with Dorothy Parker instead of The Elements of Style and repeating other contestants' mistakes.
Scott Fitzgerald, Dorothy Parker, Budd Schulberg, and Nathanael West.
This poem shares common ground with her wittier, younger compatriot, Dorothy Parker.
To paraphrase Dorothy Parker, this is not an idea to be tossed aside lightly.
FORMER US President Calvin Coolidge slept so much that, when he died, the writer Dorothy Parker remarked "How can they tell?
Toklas, Saul Bellow, Michael Chabon, Everything is Illuminated, "Gimpel the Fool," Allen Ginsberg, Joseph Heller, Erica Jong, Denise Levertov, Norman Mailer, Bernard Malamud, Maus, Arthur Miller, The Natural, Tillie Olsen, Cynthia Ozick, Dorothy Parker, Chaim Potok, Ragtime, Philip Roth, Isaac Bashevis Singer, Susan Sontag, Elie Wiesel, and more.
I wonder if Joel Derfner understands that most of his predecessors (teachers) could not be out to teenage students, even consider cracking jokes that imply the f word, or mention Oscar Wilde's orientation ["Losing Dorothy Parker," October 7].