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Dziga Vertov |
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Vertov, Dziga
(pseudonym of Denis Arkad’evich Kaufman). Born Dec. 21, 1895 (Jan. 2, 1896), in Belostok; died Feb. 12, 1954, in Moscow. Soviet film director and documentary film maker; one of the founders of documentary film making in the Soviet Union and the world. During the first years of Soviet power, Vertov worked in the newsreel department of the Moscow Film Committee. He directed the work of photographers-reporters and, using material from the Civil War, made the films Anniversary of the Revolution (1919), The Agitation and Propaganda Train of the All-Russian Central Executive Committee (1921), and History of the Civil War (1922). Vertov founded the thematic newsreel series Kino-pravda (1922-25), in which he developed new newsreel filming techniques and for the first time applied principles of montage juxtaposition to documentaries. His best Kino-pravda effort was the production of The Lenin Kino-Pravda (no. 21). Vertov published a number of theoretical articles and manifestos in which he explained the theoretical basis of his Kino-Eye method. His main contribution was his innovative development of the documentary film as a pictorial social commentary. In the film Forward, Soviet! (1926), he used the techniques of montage juxtaposition to help create a documentary picture of Moscow when the city was recovering from ruin and famine. In One-sixth of the World (1926), he presented a poetic image of the Soviet motherland. In Enthusiasm (Donbas Symphony), his first talking movie (1930), Vertov used both visual and audio means to develop the theme of socialist construction. His film Three Songs About Lenin (1934) is the best work done in the Soviet pictorial social commentary film medium. Vertov’s creative and theoretical legacy has had a major influence on the development of Soviet and foreign documentary films. He was awarded various medals and the Order of the Red Star. WORKSStat’i, dnevniki, zamysly. Moscow, 1966.REFERENCEAbramov, N. P. Dziga Vertov. Moscow, 1962. (See bibliography and listing of films.)N. P. ABRAMOV Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | Some of cinema's greatest film-makers -- John Ford, Dziga Vertov, Sergei Eisenstein, Michael Powell -- have created propaganda films at one point during their career that continue to be regarded as masterpieces. Dziga Vetov, "Kino-Eye," in Kino Eye: The Writings of Dziga Vertov. And if these types of perceptions are a tendency of the cinematic image as such, they are achieved by two cinematic "schools" in particular: the revolutionary cinema of Dziga Vertov and the experimentations of structural film. |
Dziga Vertov |
Dzhulukul Dzhuma Dzhumakhmatov, Asankhan Dzhumakhmatov, Asankhan Dzhumakhmatovich Dzhumaliev, Khazhim Dzhumgaltau Dzhumgaltau Basin Dzhungarsky Alatau Dzhusaly Dzhusoity, Nafi Dzhusoity, Nafi Grigorevich Dzhusup Turusbekov Dzhut Dzhvari Dzi Dziadek Mróz Dzialoshinskii, Igor Dzialoshinskii, Igor Ekhielevich Dzied Maroz Dzielnicowe Centrum Promocji Kultury Dzierzoniow Dzierzoniów Dziewonski, Adam Marian Dziga Dziga Vertov Dziga Vertov Performance GroupDzigan, Efim Dzigan, Efim Lvovich dziggetai DZIT DZK DZKL DZL DZLA DZLVQ DZM DZN DZNCO DZNE Dzneladze, Boris Dzneladze, Boris Davidovich DZNM DZNW Dzo Dzo Dzo DZOI Dzomo Dzomo Dzongka dzos dzos Dzosotyn Elisun | |||||||
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