The monstrous fiction of a 'Popish Plot,' brought forward by Titus Oates, and the murderous frenzy which it produced, were demonstrations of the strength of the Protestant feeling, and the leader of the Whigs, the Earl of Shaftesbury
, proposed that the Duke of York should be excluded by law from the succession to the throne in favor of the Duke of Monmouth, one of the king's illegitimate sons.
Anthony Ashley Cooper, the 7th Earl of Shaftesbury
, an Anglican politician and social reformer in the 1800s, was the first person (in 1838) to propose resettlement of Jews in Palestine.
They are, back row, left to right, Sir Hedworth |Williamson, The Earl of Kintore, The Earl of Shrewsbury, Capt S Fortesque, The Earl of Crewe, The Marquis of Londonderry, The Duke of Devonshire, King Edward VII, The Earl of Shaftesbury
, Mr N W Apperley and Capt Fred EG Ponsonby.
The book pays particular attention to the roots of Smith's moral philosophy found in the works of Thomas Hobbes, the Earl of Shaftesbury
, Bernard Mandeville, and David Hume.
It follows Nick Ashley-Cooper, left, coming to terms with his sudden assumption of the title of the 12th Earl of Shaftesbury
In which field was the 7th Earl of Shaftesbury
And then there was Anthony Ashley Cooper, 7th earl of Shaftesbury
Anthony Ashley Cooper, first earl of Shaftesbury
16= Leona Lewis, 25, music pounds 11m16= Earl of Shaftesbury
, 30, land pounds 11m
Billig (social sciences, Loughborough University, UK), who treats issues of power and ideology in such works as Banal Nationalism (1995), here provides a lens on these issues and the writing of psychological history by focusing on Anthony Ashley Cooper, the 3rd Earl of Shaftesbury
(1671-1713 per the chronology), a now little-known rebellious student of early modern period philosopher John Locke.
American movements, Joanna Southcott, the seventh Earl of Shaftesbury
, modern utopianism, freakish movements such as David Koresh and millenarianism as a feature of modern church life, especially in America's Protestant denominations.
Drawing capaciously on a wide range of literary and philosophical sources, she uses archival materials and the works of John Bunyan, the 3rd Earl of Shaftesbury
, Oliver Goldsmith, Christopher Smart, and William Wordsworth to disclose how the languages of science and the market economy shape their defenses of spontaneity and the language of feeling.