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Edgard Varese

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Varèse, Edgard 

Born Dec. 22, 1885, in Paris; died Nov. 7, 1965, in New York. American composer, conductor, and public figure in music. French by nationality.

Varèse studied composition under A. Roussel, V. d’Indy, and C. Widor in Paris. In 1908 he appeared in Berlin with the Symphonic Chorus, which had been organized by him. Beginning in 1915, Várese lived in the USA, where he founded a number of musical groups and organizations; he also took part in creating the Pan-American Association of Composers (1926). Várese was a representative of modern musical avantgardism. He experimented with the renovation of timbre in the musical idiom with the aid of modern technology and industrial noises; he utilized electronic music (Electronic Poem; Ionization, written for 41 percussion instruments and two sirens); and he tried to extend the acoustical potentials of musical instruments. Although public performances of Varèse’s works in Europe and the USA evoked protests from the audiences, he influenced modern avant-gardists.

REFERENCES

Wilkinson, M. “Edgar Varèese—Pioneer and Prophet.” Melos, 1961, no. 3.
Ouellette, F. Edgard Varèese. Paris, 1966. (Contains bibliography.)


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Byline: STEVE TERRELL Garage-culture vultures With apologies to Edgard Varese (and Ruben Sano), "The modern-day garage snot rocker refuses to die.
Dowd will conduct members of the Oregon Percussion Ensemble in "Ionisation for 13 Percussionists" by Edgard Varese, written for a percussion orchestra of 44 instruments.
A collaboration with Edgard Varese and Iannis Xenakis, the audiovisual program inside the structure deployed montage to juxtapose images of monochromatic surfaces, Western and non-Western art, heavy industry, atomic bomb test sites, smiling babies, and concentration camp prisoners.
 
 
 
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