Edward Albee


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Albee, Edward

(ăl`bē), 1928–2016, American playwright, one of the leading dramatists of his generation, b. Washington, D.C., as Edward Harvey. His most characteristic work constitutes an absurdist commentary on American life, often conveying psychologically probing observations concerning the American family. Who's Afraid of Virginia Woolf (1962, film 1966), a Tony Award–winner that is generally regarded as his finest play and has become a classic of modern American drama, presents an all-night drinking bout in which a middle-aged professor and his wife verbally lacerate each other in brilliant colloquial language. His major early plays include The Zoo Story (1959), The Death of Bessie Smith (1960), The Sandbox (1960), The Ballad of the Sad Cafe (1963, adapted from the novel by Carson McCullersMcCullers, Carson,
1917–67, American novelist, b. Columbus, Ga. as Lula Carson Smith, studied at Columbia. The central theme of her novels is the spiritual isolation that underlies the human condition.
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), and Tiny Alice (1965). Albee won the Pulitzer Prize for A Delicate Balance (1966), Seascape (1975), and Three Tall Women (1991). Other later plays include The Lady from Dubuque (1980), Marriage Play (1987), The Play about the Baby (1998), the Tony Award–winning family tragicomedy The Goat, or Who Is Sylvia? (2002), Occupant, a portrait of the artist Louise NevelsonNevelson, Louise,
1900–1988, American sculptor, b. Kiev, Russia. Using odd pieces of wood, found objects, cast metal and other materials, Nevelson constructed huge walls or enclosed box arrangements of complex and rhythmic abstract shapes.
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 (2002), and the semiautobiographical Me, Myself & I (2008).

Bibliography

See P. C. Kolin, Conversations with Edward Albee (1987); biography by M. Gussow (1999); studies by A. Paolucci (1972), R. E. Amacher (1982), and R. H. Solomon (2010).

Albee, Edward (Franklin III)

(1928–  ) playwright; born in Washington, D.C. Adopted as an infant by the son of the founder of the Keith-Albee vaudeville circuit, Albee spent two years at college before quitting to work at odd jobs while he wrote plays. Zoo Story (1958) and The Death of Bessie Smith (1959) gained him considerable reputation. Albee's unhappy families and vision of tangled sexuality are best known to theater and movie audiences through his Who's Afraid of Virginia Woolf?, which opened in New York in 1962 and later became a film. Although he won Pulitzer Prizes for A Delicate Balance in 1966 and for Seascape in 1975, his critical and popular reputation never rose to fulfill its early promise.
References in periodicals archive ?
the Araca Croup, Heni Koenigsberg, Daryl Roth, Joan Raffe & Jhett Tolentino, Catherine & Fred Adler, the David Merrick Arts Foundation presentation, with EXECUTIVE PRODUCERS Joey Parnes, Sue Wagner, John Johnson, OF A play in three ACTS by Edward Albee.
En un no menos conmovedor acto de contriccion, y luego de cerca de cuatro lustros de busquedas mas bien infructuosas (sobre todo formales, estilisticas), el Edward Albee de Tres mujeres altas, su mas reciente estreno, marca una especie de reencuentro e dicho dramaturgo.
American Dream, The One-act drama by Edward ALBEE, published in 1959 (with The Zoo Story) and first produced in 1961.
Photos reveal Edward Albee to be stricken with the Dick Clark Syndrome: an inexplicable imperviousness to physical decay.
The Ballad of the Sad Cafe (1951) contains the novelette and a selection of short stories; the title piece was made into a play by <IR> EDWARD ALBEE </IR> .
A stage adaptation by Edward Albee was produced in 1981.
The goal of implementing SuccessFactors technology at Lancaster General Hospital is to continually strive to increase the performance of the hospital through our people," said Edward Albee, Chief Human Resource Officer, Lancaster General Hospital.
Among their topics are an absurdity of mimesis: a history of absurdist criticism related to plays of Edward Albee, some notes toward a definition of Albee as postmodern, possible absurd violence in Albee and Adrienne Kennedy, and who's afraid of the Catholic Church: pre-Vatican II Roman Catholicism in two of his early plays.
Playwright Edward Albee, a three-time Pulitzer winner and the author of around 30 plays (including Who's Afraid of Virginia Woolf?
CREDITS: A Signature Theater Company presentation of a play in two acts by Edward Albee.
Among their topics are his influence on Samuel Beckett; Pinter joining Beckett and Edward Albee as absurd jokers; women, torture, and witness in Ariel Dorman's Death and the Maiden and his Ashes to Ashes; his positions of subjectivity and a case study by Claude Levi-Strauss; and Pinter and the plastic arts.