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elegy
(redirected from Elegie)

   Also found in: Wikipedia, Hutchinson 0.04 sec.
elegy, in Greek and Roman poetry, a poem written in elegiac verse (i.e., couplets consisting of a hexameter line followed by a pentameter line). The form dates back to 7th cent. B.C. in Greece and poets such as Archilochus, Mimnermus, and Tytraeus. Later taken up and developed in Roman poetry, it was widely used by Catullus, Ovid, and other Latin poets. In English poetry, since the 16th cent., the term elegy designates a reflective poem of lamentation or regret, with no set metrical form, generally of melancholy tone, often on death. The elegy can mourn one person, such as Walt Whitman's "When Lilacs Last in the Dooryard Bloom'd" on the death of Abraham Lincoln, or it can mourn humanity in general, as in Thomas Gray's "Elegy Written in a Country Churchyard." In the pastoral elegy, modeled on the Greek poets Theocritus and Bion, the subject and friends are depicted as nymphs and shepherds inhabiting a pastoral world in classical times. Famous pastoral elegies are Milton's "Lycidas," on Edward King; Shelley's "Adonais," on John Keats; and Matthew Arnold's "Thyrsis," on Arthur Hugh Clough.

elegy

Meditative lyric poem. The classical elegy was any poem written in elegiac metre (alternating lines of dactylic hexameter and pentameter). Today the term may refer to this metre rather than to content, but in English literature since the 16th century it has meant a lament in any metre. A distinct variety with a formal pattern is the pastoral elegy, such as John Milton's “Lycidas” (1638). Poets of the 18th-century Graveyard School reflected on death and immortality in elegies, most famously Thomas Gray's “An Elegy Written in a Country Church Yard” (1751).


elegy
1. a mournful or plaintive poem or song, esp a lament for the dead
2. poetry or a poem written in elegiac couplets or stanzas


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The second includes a revised Chaconne, Ballo della Regina, and Elegie, as well as Prodigal Son, The Steadfast Tin Soldier, and Tchaikovsky Pas de Deux--the latter three works commemorating Mikhail Baryshnikov's brief tenure at NYC Ballet.
[50] However, the idea of textual preexistence would also apply to contemporary painting poems like Ronsard's famous Elegie a Janet, peintre du roy (penned in 1554).
Although her technique is beginning to slip, Alexopoulos was as commanding as ever as the Siren in Prodigal Son, and the very soul of romance in the badly underrehearsed Elegie section of Tschaikovsky Suite No.
 
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