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poetry
(redirected from Elements of poetry)

   Also found in: Wikipedia, Hutchinson 0.01 sec.
poetry. For lyric poetry, see ballad ballad, in literature, short, narrative poem usually relating a single, dramatic event. Two forms of the ballad are often distinguished—the folk ballad, dating from about the 12th cent., and the literary ballad, dating from the late 18th cent.
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; elegy elegy, in Greek and Roman poetry, a poem written in elegiac verse (i.e., couplets consisting of a hexameter line followed by a pentameter line). The form dates back to 7th cent. B.C. in Greece and poets such as Archilochus, Mimnermus, and Tytraeus.
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; hymn hymn, song of praise, devotion, or thanksgiving, especially of a religious character (see also cantata ).

Early Christian hymnody consisted mainly of the Psalms and the great canticles Nunc dimittis, Magnificat, and Benedictus
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; lyric lyric, in ancient Greece, a poem accompanied by a musical instrument, usually a lyre. Although the word is still often used to refer to the songlike quality in poetry, it is more generally used to refer to any short poem that expresses a personal emotion, be it a
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; ode ode, elaborate and stately lyric poem of some length. The ode dates back to the Greek choral songs that were sung and danced at public events and celebrations.
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; pastoral pastoral, literary work in which the shepherd's life is presented in a conventionalized manner. In this convention the purity and simplicity of shepherd life is contrasted with the corruption and artificiality of the court or the city.
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; sonnet sonnet, poem of 14 lines, usually in iambic pentameter, restricted to a definite rhyme scheme. There are two prominent types: the Italian, or Petrarchan, sonnet, composed of an octave and a sestet (rhyming abbaabba cdecde
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. For narrative poetry, see chansons de geste chansons de geste (shäNsôN` də zhĕst) [Fr.
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; epic epic, long, exalted narrative poem, usually on a serious subject, centered on a heroic figure. The earliest epics, known as primary, or original, epics, were shaped from the legends of an age when a nation was conquering and expanding; such is the foundation of the
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; idyl idyl (ī`dəl), short poem.
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; romance romance [O.Fr.,=something written in the popular language, i.e., a Romance language ]. The roman of the Middle Ages was a form of chivalric and romantic literature widely diffused throughout Europe from the 11th cent.
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. Dramatic poetry is incidentally treated in the articles drama, Western drama, Western, plays produced in the Western world. This article discusses the development of Western drama in general; for further information see the various national literature articles.
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; and tragedy tragedy, form of drama that depicts the suffering of a heroic individual who is often overcome by the very obstacles he is struggling to remove. The protagonist may be brought low by a character flaw or, as Hegel stated, caught in a "collision of equally justified
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. See also articles on individual poets and on various national literatures. For technical discussions of poetry, see free verse free verse, term loosely used for rhymed or unrhymed verse made free of conventional and traditional limitations and restrictions in regard to metrical structure. Cadence, especially that of common speech, is often substituted for regular metrical pattern.
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; pentameter pentameter (pĕntăm`ətər) [Gr.,=measure of five], in prosody, a line to be scanned in five feet (see versification ).
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; rhyme rhyme or rime, the most prominent of the literary artifices used in versification . Although it was used in ancient East Asian poetry, rhyme was practically unknown to the ancient Greeks and Romans.
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; versification versification, principles of metrical practice in poetry. In different literatures poetic form is achieved in various ways; usually, however, a definite and predictable pattern is evident in the language.
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poetry

Writing that formulates a concentrated imaginative awareness of experience in language chosen and arranged to create a specific emotional response through its meaning, sound, and rhythm. It may be distinguished from prose by its compression, frequent use of conventions of metre and rhyme, use of the line as a formal unit, heightened vocabulary, and freedom of syntax. Its emotional content is expressed through a variety of techniques, from direct description to symbolism, including the use of metaphor and simile. See also prose poem; prosody.


Poetry

U.S. poetry magazine founded in Chicago in 1912 by Harriet Monroe, who became its longtime editor. It became the principal organ for modern poetry of the English-speaking world and survived through World War II. Because its inception coincided with the Chicago literary renaissance, it is often associated with the raw, local-colour poetry of Carl Sandburg, Edgar Lee Masters, Vachel Lindsay, and Sherwood Anderson, but it also championed new formalistic movements, including Imagism. Ezra Pound was its European correspondent; among the authors it published were T.S. Eliot, Wallace Stevens, Marianne Moore, D.H. Lawrence, and William Carlos Williams.


poetry
1. literature in metrical form; verse

Poetry
See also Inspiration.
Bragi
god of verse. [Norse Myth.: Parrinder, 50]
Calliope Muse
of epic poetry. [Gk. Myth.: Kravitz, 159]
Castalia Parnassian
fountain; endowed drinker with poetic creativity. [Gk. Myth.: LLEI, I: 325]
Daphnis
creator of bucolic poetry. [Gk. Myth.: Kravitz, 75]
Erato
Muse of love lyrics. [Gk. Myth.: Kravitz, 159]
Euterpe
Muse of lyric poetry. [Gk. Myth.: Kravitz, 159]
Homer
legendary author of the Iliad and the Odyssey. [Gk. Lit.: Benét, 474]
Parnassus
mountains sacred to Muses; hence, abode of poetry. [Gk. Myth.: Hall, 234]
Pleiade, The 16th
century poets sought to revitalize French literature. [Fr. Hist.: Benét, 795]
Sappho (c. 620–c. 565 B. C.)
lyric poet sometimes called the “tenth muse.” [Gk. Lit.: Benét, 896–897]
White Goddess,
the goddess of ancient fertility and the moon whose worship is claimed by Robert Graves to be the origin of poetry. [Br. Lit.: Benét, 1087]


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This book is the first English-language study that focuses on the interrelationship between performer and audience by synthesizing elements of poetry, dance and chant into the dramatic art form of noh.
Combining audience participation with elements of poetry to get children rhyming and rapping.
 
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