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Caruso, Enrico |
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Caruso, Enrico (kər `sō, Ital. änrē`kō kär `zō), 1873–1921, Italian operatic tenor, b. Naples. The natural beauty, range, and power of his voice made him one of the greatest singers in the history of opera. He studied for three years with Guglielmo Vergine and made his operatic debut in Naples in 1894. His first major success came in London in 1902, and he achieved even greater triumph with his American debut in 1903 at the Metropolitan Opera as the duke in Rigoletto. He remained the reigning favorite at the Metropolitan until a short time before his death (from pleurisy). He sang more than 50 roles in Italian and French operas, such as La Traviata, Aida, La Bohème, Tosca, and Carmen. After his death his recordings perpetuated his fame.
BibliographySee biographies by D. P. B. Caruso (new ed. 1963) and S. Jackson (1972). Caruso, Enricoorig. Errico Caruso(born Feb. 25, 1873, Naples, Italy—died Aug. 2, 1921, Naples) Italian tenor. Apprenticed to a mechanical engineer at age 10, at 18 he began to sing in public in his free time. He attracted the notice of a teacher and made his professional debut in 1894. He sang his best-known role, Canio in Ruggero Leoncavallo's Pagliacci, for the first time in 1896. He recovered from a disastrous La Scala debut in 1900 and within two years had gained the high notes that made him an international star and a legend. He sang at the Metropolitan Opera (1903–20) in almost 60 roles, becoming the most famous male opera star of his time. His warm, appealing tenor voice of great emotive power made his recordings (which include some of the first vocal recordings ever made) best-sellers for decades after his death. Caruso, Enrico (1873–1921) world’s most celebrated tenor. [Opera Hist.: NCE, 469] See : Singer, Operatic |
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The Ansonia has served as home to many notable people, including, among others, musical immortals Enrico Caruso, Sergei Rachimaninoff, Igor Stravinsky and Arthur Toscanini, and from the world of sports, Babe Ruth and Jack Dempsey. But Winchester also seems to stand with his back to the edge of the world watching Enrico Caruso and John Barrymore deal with the quake as well as less-famous mayors, generals, firefighters, writers, and ordinary citizens. Gustav Klimt (presented, contrary to most rumors, as a platonic pal here), Enrico Caruso, Arnold Schonberg and Gerhart Hauptmann were also among those often mentioned as full-fledged members of the Alma Mutual Admiration Society. |
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