Epitaph (redirected from Epitaphs)

epitaph, strictly, an inscription on a tomb; by extension, a statement, usually in verse, commemorating the dead. The earliest such inscriptions are those found on Egyptian sarcophagi. In England epitaphs did not begin to assume a literary character until the time of Elizabeth I. Ben Jonson, John Milton, Alexander Pope, and Samuel Johnson were considered masters of the art. The epitaph on Ben Jonson's own tomb in Westminster Abbey was splendidly brief: "O rare Ben Jonson!" Epitaphs are often humorous. It is not known whether the epitaph printed below is amusing by design or by accident: Here lie I Martin Elginbrodde: Have mercy on my soul, Lord God, As I wad do, were I Lord God, And ye were Martin Elginbrodde.

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epitaph

Inscription in verse or prose on a tomb, or, by extension, anything written as if to be inscribed on a tomb. Probably the earliest surviving epitaphs are those written on ancient Egyptian sarcophagi and coffins. Ancient Greek examples are often of literary interest. In Elizabethan times epitaphs began to assume a more literary character. Many of the best known are literary memorials (often deliberately witty) not intended for a tomb.

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Epitaph 

a gravestone inscription, generally in verse. A verse epitaph is a short poem, usually with a message to the deceased or from the deceased to passersby, for example, “Passerby, stop! . . .”

An epitaph may be an actual inscription on a gravestone or a short literary work, written as if for a gravestone, appearing in a collection of poetry. In European literature the epitaph developed as a variation of the classical epigram; noteworthy early epitaphs include those by Simonides of Ceos (fifth century B.C.). A popular genre in the Middle Ages, the Renaissance, and the age of classicism, the epitaph subsequently came to be little used. The parodie or satiric epitaph, such as those written by R. Burns, is similar to the epigram of modern times and has survived longer than other types of epitaph. In modern times, epitaphs on gravestones or memorials that have literary merit are a rare phenomenon; an example is A. V. Lunacharskii’s epitaph to the fighters of the revolution on the Field of Mars.