Epstein, Sir Jacob (redirected from Epstein)

Epstein, Sir Jacob (ĕp`stīn), 1880–1959, sculptor, b. New York City. He studied with Rodin in Paris and later worked chiefly in England. In revolt against the ornate and the pretty in art, Epstein produced bold, often harsh and massive forms in stone or bronze that were the subjects of frequent controversy. His 18 large figures on the British Medical Association Building (1907–8) were removed in 1937 as offensive and structurally dangerous. Epstein's major pieces include the Oscar Wilde Memorial (1911; Père-Lachaise, Paris); a marble Venus (1917; Yale Univ., New Haven, Conn.); a bronze Christ (1919; Wheathamstead, England); the "Rima" figure that forms the W. H. Hudson Memorial (1925; Hyde Park, London); an enormous Adam in alabaster (1939; Blackpool, England); figures for Fairmount Park, Philadelphia; and a Madonna and Child (Convent of the Holy Child Jesus, London). Some of Epstein's best-known work is in bronze portraiture, executed with roughly textured surfaces. His perceptive portraits include those of the duke of Marlborough, Joseph Conrad, Albert Einstein, and Jawaharlal Nehru. Epstein was knighted in 1954. See his autobiography (2d ed. 1963); drawings ed. by Kathleen Epstein (1962); study by Robert Black (1942).

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Epstein, Sir Jacob

(born Nov. 10, 1880, New York, N.Y., U.S.—died Aug. 21, 1959, London, Eng.) U.S.-born British sculptor. He studied in Paris and settled in England in 1905. His 18 nude figures known as the Strand Statues (1907–08) provoked charges of indecency; his nude angel on the tomb of Oscar Wilde (1912) in Paris was also attacked. In 1913 he became affiliated with Vorticism and developed a style characterized by simple forms and calm surfaces carved from stone; his works often partly retained the shape of the original block, or sometimes they were modeled in plaster. He is best known for religious and allegorical figures carved in colossal blocks of stone and for bronze portrait busts of celebrities. Occasionally he produced monumental bronze groups, such as St. Michael and the Devil (1958) for Coventry Cathedral.