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Eugenio Garin |
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Garin, Eugenio
Born May 9, 1909, in Rieti. Italian philosopher and historian of philosophy. Professor at the University of Florence since 1950. A considerable part of Garin’s work is devoted to problems of the history of Renaissance culture and philosophy. He was one of the first Italian historians to refute Croce’s idealistic concept of the development of culture, and he was the first to make scholarly use of much of the manuscript heritage of the humanists, including Pico della Mirándola. In his Chronicle of Italian Philosophy of the 20th Century (1955; Russian translation, 1965), Garin considers the history of philosophy in connection with the development of Italian culture and political history and traces the ideological preparation for fascism. The book as a whole was given a high but critical rating by Italian Marxists. WORKSL’umanesimo italiano, 2nd ed. Bari, 1965.Medioevo e Rinascimento, 2nd ed. Bari, 1961. La cultura filosofica del Rinascimento italiano. Florence, 1961. Storia della filosofia italiana, vols. 1-3. [Turin, 1966.] REFERENCESBragina, L. M., and N. V. Reviakina. “Problemy ital’ianskogo gumanizma v trudakh E. Garena.” In the collection Srednie veka, issue 28. Moscow, 1965.Bibliografia degli scritta di E. Garin. Bari, 1969. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | In Bring Out Your Dead Grafton offers a personal note on the foundations of his thinking: Between the thirties and the seventies, finally, historians like Paul Hazard, Paul Oskar Kristeller, Eugenio Garin, Frances Yates, Erwin Panofsky and Arnaldo Momigliano drew new maps of what had been called, in the seventeenth and eighteenth centuries, the Republic of Letters. In Valcke's view, later interpretations, like those of Ernst Cassirer and Eugenio Garin, have followed Burckhardt's footsteps in presenting Giovanni Pico as the prototype for the Quattrocento humanist, and his Oration on the Dignity of Man--with its Promethean vision of man as master of his own destiny--as the manifesto of Renaissance humanism. Eugenio Garin, Ernesto Grassi, Giuseppe Mazzotta, Nicoletta Tirinnanzi) e sulla sua natura sessuata (e. |
Eugenio Garin |
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