diorama

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diorama

1. a miniature three-dimensional scene, in which models of figures are seen against a background
2. a picture made up of illuminated translucent curtains, viewed through an aperture
3. a museum display, as of an animal, of a specimen in its natural setting
4. Films a scene produced by the rearrangement of lighting effects

Diorama

A large painting, or series of paintings, intended for exhibition in a darkened room in a manner that produces an appearance of reality created by optical illusions; a building in which such paintings are exhibited.

Diorama

 

(1) A painting in which an image is reproduced on a specially illuminated translucent material.

(2) A more contemporary use of the word refers to a type of painting in which a filmlike picture, drawn vertically across the inner surface of a semicircular subframe, is combined with an object plane situated in front of it (for example, stage settings, material objects, and various structures). Designed for artificial lighting, large dioramas are set up in specially constructed buildings. In Dioramas, as in panoramas, natural representation (primarily battle scenes) attains great illusory effects. The first diorama was created in 1822 by L. J. Daguerre in Paris; Daguerre’s invention won popular acclaim during the 19th century.

The most significant Soviet diorama is The May 7, 1944, Assault on Mount Sapun. Other dioramas are Assault on Perekop (1961; artists, M. I. Samsonov, M. A. Anan’ev, and V. P. Fel’dman; Central Museum of the Armed Forces of the USSR, Moscow), The Assault of the Ochakov Fortress by Russian Troops in 1788 (1970, artist, M. I. Samsonov; A. V. Suvorov Military and Historical Museum in Ochakov), and The 1905 Uprising in Perm’ (1970; artists E. I. Danilevskii and M. A. Anan’ev; Perm’).

REFERENCE

Petiopavlovskii, V. Iskusstvo panoram i dioram. Kiev, 1965.

diorama

1. A large painting, or a series of paintings, intended for exhibition to spectators in a darkened room in a manner to produce by optical illusions an appearance of reality.
2. A building in which such paintings are exhibited.
References in periodicals archive ?
All blue and white, it has a false perspective of side walls that slope rapidly inward toward the back of the stage, making the room seem much deeper than it really is.
There is a flatness in these figures that's matched by a disregard for false perspective - sometimes the artist cedes a single black line to signify dimension - which gives her work an oriental or pre-Renaissance effect.
It widens as it approaches the Fresco hall, creating a false perspective and drawing you down its length.
The implied hall (there is no partition between it and the living area) is defined by the Douglas fir columns of the frame and the wooden planks of the floor, and it tapers towards the inner end, both drawing you forward into the house and making it seem longer by false perspective.
To hide from his own shadow, and rush, head lowered, into the snare of false perspectives, into the fearful trap of multiplying false doors set in a confusing succession of streets.