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Fernando De Rojas

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Rojas, Fernando De 

Born circa 1465, in Puebla de Mon-talban, in the province of Toledo; died Apr. 3 or 8, 1541, in Ta-lavera de la Reina, in the province of Toledo. Spanish writer.

Rojas is regarded by most scholars as the author of the prose drama Tragicomedy of Calisto and Melibea, better known as La Celestina, which was written approximately between 1492 and 1497 (Russian translation, 1959). It combined didacticism with vivid realism and the traditions of Neoplatonism and Italian humanism. The work, the first in Spanish literature to depict the urban lower classes with sympathy, united bookish elements and rhetoric with the language of the common people.

By the 16th century, La Celestina had been translated into the chief languages of Europe and had engendered imitations. Beginning in the late 18th century, the work and its imitations were included in the list of books banned by the church. La Celestina was a source of the picaresque novel and of Spanish dramaturgy during the Golden Age. Adaptations of the work have been staged in European theaters since the early 20th century.

WORKS

Tragicomedia de Calixto y Melibea. Madrid, 1970.

REFERENCES

Lida de Malkiel, M. R. La originalidad artística de “La Celestina.” Buenos Aires [1962].
Maravall, J. A. El mundo social de “La Celestina.” Madrid [1964].


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The author instead shows how Fernando de Rojas exposes a world of class struggle in which servants turn against their masters, and corrupt upper-class lovers throw caution to the wind in the pursuit of selfish desires.
Guido Mazzoni ha invece offerto per La Veniexiana un tentativo di contestualizzazione che nega il giudizio di "unicita" espresso da Padoan e che inserisce questo testo nel panorama teatrale europeo: in una breve nota di due pagine, Mazzoni intravide fra le battute dell'allora quasi del tutto sconosciuta Veniexiana un testo gia affermato fra il pubblico e le accademie, Celestina di Fernando de Rojas (252).
Soon he was reading Lispector, the prominent Argentine man of letters Alberto Gerchunoff, and emulating the prolific Brazilian doctor and writer Moacyr Scliar - Latin America's Sholem Aleichem, the great turn-of-the-century humorist and major figure of Yiddish literature - and engaging in dialogues with Francisco de Quevedo, Fernando de Rojas, and Carlos Fuentes.
 
 
 
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