Flavin, Dan

Flavin, Dan

(flā`vĭn), 1933–96, American sculptor, b. New York City. In the early 1960s, Flavin experimented with fluorescent lights, bending them into complex, angular shapes. His sculptures, which are closely related to minimalismminimalism,
schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity. Minimalism in the Visual Arts
..... Click the link for more information.
 in underlying approach, incorporate installations of commercially made fixtures that diffuse colored light, thus breaking down or defining the space around them. Flavin's work is represented in many public collections, including the Solomon R. Guggenheim and Los Angeles County museums. Much of his late work was extremely large and site-specific. A gallery devoted to his work opened in Houston, Tex., in 1998 and features a large light frieze installed on its outer and inner surfaces. When Flavin died, he left instructions for the creation of his last work, a vast light construction, Untitled (Marfa Project), that was completed in 2001 and occupies six buildings at Donald JuddJudd, Donald Clarence,
1928–94, American artist, b. Excelsior Springs, Mo. His sculpture, allied with the minimalist school of the late 1960s (see minimalism; modern art), has the appearance of industrial fabrication.
..... Click the link for more information.
's huge Marfa, Tex., art space.

Bibliography

See studies by J. F. Ragheb, ed. (1999) and M. Govan et al. (2004).

Flavin, Dan

(1933–  ) sculptor; born in Jamaica, N.Y. He attended the New School for Social Research, N.Y. (1956), and Columbia University (1957–59). Based in Garrison, N.Y., he became known for his minimalist and architectural installations using electric and fluorescent lights, as in Pink and Gold (1968).
References in periodicals archive ?
Team: Chris Moorhouse, Nigel Stansfield, Paul Barker, Patrick Flavin, Dan Stolworthy, Nigel Ford, James Lee, Ashley Cooke, Chris Parkes, Ali Charman, Ed Shimmel, Andrew Boyle.