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Fonteyn, Dame Margot

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Fonteyn, Dame Margot (fŏntān`), 1919–91, English ballerina. Fonteyn was for many years prima ballerina assoluta of the Royal Ballet Royal Ballet, the principal British ballet company, based at the Royal Opera House, Covent Garden , London. It is noted for lavish dramatic productions, a superbly disciplined corps de ballet, and brilliant performances from its principals.
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. Her original name was Margaret Hookham. In 1934 she joined the Sadler's Wells Ballet School, and in the same year she made her debut as a soloist. She became prima ballerina of the Vic-Wells Ballet in 1935. Fonteyn gained a reputation for expressive acting and versatility, creating such roles as Aurora in The Sleeping Beauty and Agathe in Les Demoiselles de la Nuit. Her performances in Cinderella, Giselle, Sylvia, and The Firebird were also outstanding. Sir Frederick Ashton Ashton, Sir Frederick, 1904–88, British choreographer and dancer, b. Guayaquil, Ecuador. He grew up in Peru and was drawn to dance after seeing (1917) a performance by Anna Pavlova there.
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 created a number of major ballets especially for Fonteyn, among them Symphonic Variations (1946) and Ondine (1958). She was made a Dame of the British Empire in 1956. Fonteyn's international reputation reached an unprecedented height after 1962, when she began her partnership with the Russian dancer Rudolf Nureyev Nureyev, Rudolf (nrĕ`yĕf), 1938–93, Russian ballet dancer, b.
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.

Bibliography

See her autobiography (1976); biographies by K. Money (1974) and M. Daneman (2004).


Fonteyn, Dame Margot

 orig. Margaret Hookham

Enlarge picture
Margot Fonteyn in Ondine.
(credit: London Express)
(born May 18, 1919, Reigate, Surrey, Eng.—died Feb. 21, 1991, Panama City, Pan.) British ballerina. She debuted with the Vic-Wells Ballet (later Royal Ballet) in 1934 and soon became its leading dancer, creating many roles in works by Frederick Ashton, including Horoscope, Symphonic Variations, and Ondine. In the 1960s she won worldwide acclaim for her appearances with Rudolf Nureyev in ballets such as Swan Lake, Raymonda, and Le Corsaire. She continued to dance as a guest artist into the mid 1970s.



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