Francesco Cavalli


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Cavalli, Francesco

 

(real name, Pietro Francesco Caletti). Born Feb. 14, 1602, in Crema; died Jan. 14, 1676, in Venice. Italian composer. Son and pupil of a cathedral choirmaster in Crema.

Cavalli completed his musical education in Venice, where he lived from 1616. In 1617 he became a singer (tenor), at St. Mark’s Basilica, and then its organist and conductor. He wrote church music (notably his Requiem), but basically he composed operas and was a leading master of the Venetian school. He wrote 42 operas, including The Marriage of Teti and Peleo (1639), Didone (1641), Jason (1649), Xerxes (1654), and Mutio Scevola (1665). Almost all his operas were commissioned by Venetian theaters.

REFERENCES

Kretzschmar, H. Istoriia opery. Leningrad, 1925. (Translated from German.)
Rolland, R. Opera v XVII veke v Italii, Germanii, Anglii. Moscow, 1931. (Translated from French.)
Prunières, H. Cavalli et l’opéra italien au XVII siècle. Paris, 1931.
References in periodicals archive ?
Resurgence of interest in the operas of Francesco Cavalli (1602-1676) began in the late 1960s, spearheaded by the fanciful realizations by Raymond Leppard of several works.
Only it was written as long ago as 1667 by Francesco Cavalli and focused on the bizarre, brief reign of the little-known Roman emperor Heliogabalus, a sex-obsessed, cross-dressing teenager who made Caligula look like a model ruler.
A Wooster Group production of an opera in one act after "La Didone" by Francesco Cavalli and Giovanni Francesco Busenello.
In Boston's 1999 season, the festival's artistic directors produced the even more influential (though musically duller) Ercole Amante (Hercules in Love), written in Italian and composed by Francesco Cavalli, dating from 1672.
The composers responsible for the earliest operas included Francesco Manelli, Benedetto Ferrari, Francesco Cavalli, Francesco Sacrati and Claudio Monteverdi, nearly all of whom were involved, during this initial stage, in not only the composition but also the production of their works.
The subjects chosen by such early operatic composers as Jacopo Peri, Jacopo Corsi, Francesco Cavalli, and Claudio Monteverdi were the ancient myths about figures like Daphne, Ulysses, and Orpheus.
Many will be surprised to discover in Francesco Cavalli, that great opera composer, a skilled writer of instrumental music.
We learn as well from these letters that at a young age, she studied with Francesco Cavalli, who was maestro di cappella at St.
Includes works by Paolo Agostini, Giovanni Francesco Anerio, Adriano Banchieri, Giovanni Battista Bassani, Giovanni Battista Biondi, Francesco Cavalli, Maurizio Cazzati, Giacomo Finetti, Francesco Petrobelli, Sisto Reina, Giovanni Antonio Rigatti, Giovanni Rovetta, and Orazio Tarditi.
1596-1668), who, with Alessandro Grandi (for a time) and Francesco Cavalli, was one of the primary figures surrounding Claudio Monteverdi at St.
Andrea Fabiano ("Un maestro veneziano alla corte di Luigi XIV: Cadute e ricadute dell'opera di Francesco Cavalli") refers to contemporaneous aesthetic documents to contextualize the lack of success in France of the operas of Rovetta's successor, Francesco Cavalli.
Next to Claudio Monteverdi, Pier Francesco Cavalli was the most prominent Italian composer of the seventeenth century.