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Lang, Fritz
(redirected from Fritz Lang)

   Also found in: Wikipedia, Hutchinson 0.01 sec.
Lang, Fritz (läng), 1890–1976, German-American film director, b. Vienna. His silent and early sound films, such as Metropolis (1926), are marked by brilliant expressionist technique. He gained worldwide acclaim with M (1933), a study of a child molester and murderer. After directing 15 films, Lang fled Nazi Germany (1933) to avoid collaborating with the government and settled in the United States. His 20 Hollywood films continued his exploration of criminality and the cruel fate that can overtake the unwary. His notable American works include Fury (1936), You Only Live Once (1937), Hangmen Also Die (1943), The Big Heat (1953), and Beyond a Reasonable Doubt (1956).

Bibliography

See studies by P. Bogdanovich (1967), L. Eisner (1972), R. A. Armour (1978), F. W. Ott (1979), S. Jenkins (1981), C. Schnauber (1986), P. McGilligan (1997), and T. Gunning (2000).


Lang, Fritz

(born Dec. 5, 1890, Vienna, Austria-Hungary—died Aug. 2, 1976, Los Angeles, Calif., U.S.) Austrian-born U.S. film director. He studied architecture in Vienna and served in the Austrian army in World War I. While recovering from war wounds, he began to write screenplays. He found work at a movie studio in Berlin, where he later directed successful films such as Between Two Worlds (1921), Dr. Mabuse (1922), the two-part The Nibelungen (1924), the expressionistic Metropolis (1926), and M (1931). After making the anti-Nazi film The Last Will of Dr. Mabuse (1933), he left Germany for Paris and later Hollywood. His U.S. films, which equal his German films in their intensity, pessimism, and visual mastery, include Fury (1936), You Only Live Once (1937), Ministry of Fear (1944), Rancho Notorious (1952), and The Big Heat (1953). Many of his films deal with fate and man's inevitable working out of his destiny.



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The gallery was filled with thirty-two works comprising hundreds of elements produced by the artist over the last ten years, including numerous small figurative sculptures that variously recalled mummies, nineteenth-century memorial statues, Han warriors, Fritz Lang robots, or grotesque hybrids thereof.
Fritz Lang invented the science fiction movie with this masterpiece about a futuristic city where half the citizenry are spoiled children and the other half toil as slaves.
Filled with insight on 20th-century German history and filmed in manners ranging from "kitchen sink" realistic to purest studio-era Hollywood (Fassbinder counted Douglas Sirk and Michael Curtiz among his masters), Fassbinder's work brought him a reputation unparalleled in Germany since Fritz Lang.
 
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