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Gabo, Naum
(redirected from Gabo)

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Gabo, Naum (noum gä`bō), 1890–1977, Russian sculptor, architect, theorist, and teacher, brother of Antoine Pevsner Pevsner, Antoine (äNtwän` pyĕvz`nər), 1886–1962, Russian sculptor and painter.
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. Gabo lived in Munich and Norway until the end of the revolution, when he returned to Russia. With Pevsner he wrote the Realist Manifesto (1920), which proposed that new concepts of time and space be incorporated into works of art and that dynamic form replace static mass. His sculptural experiments with constructivism constructivism, Russian art movement founded c.1913 by Vladimir Tatlin , related to the movement known as suprematism . After 1916 the brothers Naum Gabo and Antoine Pevsner gave new impetus to Tatlin's art of purely abstract (although politically intended)
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, a movement he helped found, were often transparent, geometrical abstractions composed of plastics and other materials. Gabo's art conflicted with Soviet art directives. In 1922 he left Moscow for Berlin where he taught at the Bauhaus Bauhaus (bou`hous), school of art and architecture in Germany.
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, later moving to England and then to the United States. In 1957 he executed a huge public monument in Rotterdam.

Bibliography

See his Gabo (1957) and Of Divers Arts (1962); study by R. Olson and A. Chanin (1948).


Gabo, Naum

 orig. Naum Pevsner

(born Aug. 5, 1890, Bryansk, Russia—died Aug. 23, 1977, Waterbury, Conn., U.S.) Russian-born U.S. sculptor. He studied at the University of Munich, and in 1913 he was introduced to avant-garde art in Paris by his brother, Antoine Pevsner. In 1920 the brothers returned to Russia and issued the “Realist Manifesto,” setting forth the principles of European Constructivism. Gabo produced abstract works of such unorthodox materials as glass, plastic, and wire to achieve a sense of movement. After some years in Europe he settled in the U.S. in 1946 and taught at Harvard's architecture school. He received many awards and public commissions. A pioneer of the Constructivist movement, he was one of the earliest artists to experiment with kinetic sculpture.


Gabo, Naum (b. Neemia Pevsner) (1890–1977) sculptor; born in Bryansk, Russia. He studied medicine, engineering, and art in Munich (1910–14), then changed his name to distinguish himself from his artist brother, Antoine Pevsner. He and his brother created theories of spatial sculpture in Scandinavia during World War I and published the Realist Manifesto (1920). Naum lived in Berlin (1922–32), Paris (1932–35), and London (1939–46) before settling in Connecticut (1946). He was noted for his constructed sculptures, such as Linear Construction (1943).

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Finally, it became clear that the tale of an avant-garde modernist movement harshly repressed by the state was too simple (even if partially true), and that the informers, such as Naum Gabo, on whose testimony this tale had been built were far from the insiders they had professed to be.
When the owners of Semana turned down the offer, Gabo and the six journalists began conversations with Cambio owner Patricia Lara.
Grounded in the pioneering work of Gabo, Moholy-Nagy, and Duchamp, kinetic art seemed simply to fade away after its flowering in the '60s.
 
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