Gabriele Rossetti


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Rossetti, Gabriele

 

Born Feb. 28, 1783, in Vasto, Abruz-zi; died Apr. 24, 1854, in London. Italian poet.

During the revolution of 1820–21 in Naples, Rossetti wrote the anthem “You are beautiful with the stars in your hair.” After the revolution was defeated he fled, settling in England in 1824. Rossetti responded to political events in Italy with impassioned songs and poems. Some of his works are permeated with mystic religiosity, including the treatise On the Antipapal Spirit (1832) and the collection of poems God and Man, a Psalter (1833). Rossetti’s Analytic Commentary on the Divine Comedy (1826) treated Dante’s work as an allegory advocating church reform.

WORKS

Poesie di G. Rossetti. Florence, 1861; 2nd ed., 1879.
Poesie politiche. Rome, 1891.
Opere inedite e rare. Lanciano, 1910.

REFERENCE

Giannantonio, P. Bibliografia di G. Rossetti (1806–1958). Florence [1959].
References in periodicals archive ?
Nonetheless, the formula was repeated in other commentaries to verse 87: those of Luigi Portirelli (1804-5) and Gabriele Rossetti (1826-27).
his children, Gabriele Rossetti probably would have patronized Covent
The artist Dante Gabriele Rossetti, of course, was apoet, too,and was the first painter who best captured the world of platonic love in his masterpieces which are here in Liverpool on display until January 18.
Most telling of all, he resolutely refused to write a full-length biography of either Christina Rossetti or his father, both of whose papers he possessed in abundance, thereby leaving Christina Rossetti in the hands of the self-important Mackenzie Bell, and Gabriele Rossetti without an English biography until E.
Rossetti's only substantial publication devoted to his father was a translation of Gabriele Rossetti, a Versified Autobiography (London: Sands & Co.
75), and interprets Rossetti's poem about an Italian revolutionary's murder of an adopted daughter who has become a sexually independent adult as an allegory of Rossetti's personal reactions to the degeneration of Italian nationalism into the Realpolitik of a conventional "nation-state" of the sort Mazzini and Gabriele Rossetti had scorned.
In "'Had such a lady spoken for herself': Confronting the Legacy," she anchors Rossetti's A Pageant and Other Poems and writings on Dante once again "in the community of female Rossettis and its values," and comments on these works' rejections of the allegorical and amatory interpretations of the Divina Commedia endorsed by Gabriele Rossetti and Dante Rossetti.
Gabriele Rossetti (1785-1854), the father of Dante Gabriel and Christina Rossetti, remains a powerful background figure in the study of Victorian poetry.