Gainsborough, Thomas

Gainsborough, Thomas (gānz`bûr'ō), 1727–88, English portrait and landscape painter, b. Sudbury. In 1740 he went to London and became the assistant and pupil of the French engraver Hubert Gravelot. He was also influenced in his youth by the painter Francis Hayman and studied the landscapes of the great 17th-century Dutch artists. In 1745 he returned to Sudbury, later moving to Ipswich and finally to Bath, where he gradually acquired a large and lucrative portrait practice rivaling that of his contemporary Sir Joshua Reynolds. Gainsborough is celebrated for the elegance, vivacity, and refinement of his portraits, which were greatly influenced in style by the work of Van Dyck. Some of these portray old-money aristocrats, but more are from the newly wealthy and highly cultured middle-class elite. Gainsborough had little taste for the society of his sitters, however, and spent much spare time painting his favorite subject, landscape, entirely for his own pleasure. These works were among the first great landscapes painted in England. As a colorist Gainsborough has had few rivals among English painters.

In his last years Gainsborough excelled in fancy pictures, a pastoral genre that featured idealized subjects (e.g., The Mall, 1783; Frick Coll., New York City). He painted all parts of his pictures himself, an unusual practice for his day. He left a large collection of landscape drawings, which influenced the development of 19th-century landscape art. He is well represented in the national galleries of London, Ireland, and Scotland; in the Wallace Collection, London; and in many private collections. Examples of Gainsborough's work may be seen in the Metropolitan Museum and the museums of Cincinnati, Boston, Philadelphia, and St. Louis. Outstanding among his well-known works are Perdita (Wallace Coll., London), The Blue Boy (Huntington Art Gall., San Marino, Calif.), and Lady Innes (Frick Coll.).

Bibliography

See his letters, ed. by M. Woodall (rev. ed. 1963); his drawings, ed. by J. Hayes (2 vol., 1971) and ed. by J. Hayes and L. Staiton (1985); his prints, ed. by J. Hayes (1972); J. Hayes, Gainsborough's Landscape Paintings: A Critical Text and Catalogue Raisonné (2 vol., 1982); J. Lindsay, Gainsborough: His Life and Art (1983); M. Rothschild, The Life and Art of Thomas Gainsborough (1983).

---

Gainsborough, Thomas

The Morning Walk, oil on canvas by Thomas Gainsborough, 1785; in the …

(credit: Courtesy of the trustees of the National Gallery, London)

(baptized May 14, 1727, Sudbury, Eng.—died Aug. 2, 1788, London) British painter. At 13 he left his native Suffolk to study in London. By c. 1750, back in Suffolk, he had established a reputation in portraiture and landscape painting. He painted landscapes for pleasure; portraiture was his profession. In 1759 he moved to the fashionable spa of Bath, where his works would be seen by a wider and wealthier public. In 1768 he became a founding member of the Royal Academy of Art. He developed an elegant, formal portrait style inspired by Anthony Van Dyck, whose influence can be seen in such portraits as his famous Blue Boy (1770). In 1774 he moved to London and became a favourite of the royal family, preferred above the official court painter, Joshua Reynolds. His love of landscape came from studying 17th-century Dutch artists and later Peter Paul Rubens, whose influence is evident in The Watering Place (1777). His output was prodigious; he produced many landscape drawings in various media, and in his later years he also created images of seascapes, pastoral subjects, and children.