Galli da Bibiena | Article about Galli da Bibiena by The Free Dictionary
Galli da Bibiena
Bibiena or Bibbiena, Galli da (gäl`lē dä bēbyā`nä), family of Italian artists of the 17th and 18th cent. Giovanni Maria Galli da Bibiena, 1625–65, studied with Francesco Albani and painted chiefly altarpieces, examples of which are to be seen in the churches of Bologna. His son, Ferdinando Galli Bibiena, 1657–1743, the most renowned of the group, became celebrated throughout Europe for his architectural views and theatrical designs and for his magnificent decorations for public and court festivities. He wrote several treatises on architecture. A master of baroque illusionism, he created an effect of depth by extending the set pieces of his scene designs beyond the proscenium arch. Francesco Galli Bibiena, 1659–1739, brother of Ferdinando, is celebrated chiefly as the designer of great European theaters. Other members of the family include Alessandro Galli Bibiena, 1687–c.1769, son of Ferdinando, a fresco painter and architect; Giuseppe Galli Bibiena, 1696–1756, second son and pupil of Ferdinando and, like him, renowned for his sumptuous decorations, designed principally for the courts and theaters of Vienna, Munich, Dresden, Bayreuth, and Prague; Antonio Galli Bibiena, 1700–1774, third son of Ferdinando, an architect and designer; and Carlo Galli Bibiena, 1728–1787, the son of Giuseppe, a painter and architect employed at many of the European courts.
See A. H. Mayor, The Bibiena Family (1940).
Galli da Bibiena: see Bibiena, Galli daBibiena or Bibbiena, Galli da
, family of Italian artists of the 17th and 18th cent. Giovanni Maria Galli da Bibiena,
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References in periodicals archive
Asentemos que estamos hablando de un recinto proyectado en 1765 por Antonio Galli da Bibiena
(1697-1774), (1) quien llego a considerarse como el mas insigne arquitecto, tratadista y escenografo italiano de su epoca.
Giuseppe and Carlo Galli da Bibiena
went on to design the first opera house at Bayreuth in 1748, the extraordinary Rococo Residenztheater, rivalled only by the even more extravagent Munich Residenztheater (I 752) by Jean Frangois de Cuvillits, which was bombed during the Second World War but subsequently rebuilt.
There have been various modifications to the basic horseshoe geometry; the truncated ellipse and the hull-shaped plan developed by the Galli da Bibienas
, of which the most outstanding example is the Markgrafliches Opernhaus in Bayreuth (p62).
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