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viol |
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viol, family of bowed stringed instruments, the most important ensemble instruments from the 15th to the 17th cent. The viol's early history is indefinite, but it is recognizable in depictions from as early as the 11th cent. During the second half of the 17th cent. it lost its dominant position to the violin violin, family of stringed musical instruments having wooden bodies whose backs and fronts are slightly convex, the fronts pierced by two f-hole-shaped resonance holes.
..... Click the link for more information. family and became practically extinct until the general revival of interest in early music and instruments in the 20th cent. The viol differs from the violin in the manner of playing, in its shape, and in having frets and typically six strings, tuned in fourths with one third, rather than in fifths. Most viols are properly played upright, resting on or between the knees, with the bow held with the palm upward. The viol usually has sloping shoulders, a flat back, and deeper ribs than the violin. It is a chamber instrument with a soft, sweet tone, incapable of the dynamic extremes and brilliance of the violin; this helps to account for its decline. The viol was built in four principal sizes—treble, alto, tenor, and bass—which were used in ensemble, or "consort." The double-bass viol, or violone, survived all the others, becoming, with some modification, the present double bass double bass, bowed stringed musical instrument, the contrabass of the modern orchestral string section. It originated as a double-bass viol, an instrument described as early as 1566. A true double-bass violin appeared during the 18th cent. ..... Click the link for more information. . The bass viol was the principal solo instrument of the family, possessing a large literature from the 16th to the 18th cent. It later became known as viola da gamba [Ital.,=leg viol]—originally the name of the whole family, to distinguish them from those of the viola da bracchio (arm viol) family, the forerunners of the violin. The viola d'amore, a member of the viol family, originated in the 17th cent. and was especially popular in the 18th cent. It has from five to seven strings, tuned in thirds and fourths, and an equal number of sympathetic strings running through the bridge and under the fingerboard. Unlike most viols, it is held, like the violin, under the chin. It was and is principally a solo instrument, possessing a modest literature from all periods, including the 20th cent. violor viola da gambaBowed stringed instrument of the 16th–18th centuries. The viols are distinguished from the violin family particularly by a fretted fingerboard, sloping shoulders, flat back, six strings, and milder tone. They exist in four sizes: treble, tenor, bass, and double bass (violone). They are played vertically, the body of the instrument being held between the legs or rested on the knee. The viol family appeared in the late 15th century and soon became widely popular and acquired a large repertory. Throughout the Baroque era, the bass viol joined the harpsichord in the basso continuo. The contemporaneous violin family, having a more penetrating tone, gradually displaced the viols in the 18th century. viol any of a family of stringed musical instruments that preceded the violin family, consisting of a fretted fingerboard, a body rather like that of a violin but having a flat back and six strings, played with a curved bow. They are held between the knees when played and have a quiet yet penetrating tone; they were much played, esp in consorts, in the 16th and 17th centuries Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | The players are dressed in Oriental costumes that would have been outrageous to Rembrandt's contemporaries; a viola da gambist wears a colorful turban and bright tunic; a young harpist stares at the viewer as if annoyed by an intruder. The man who played the music on the soundtrack was the Spanish viola di gambist Jordi Savall. Featuring saxophonist Stan Strickland and pianist Peter Cassino's Quartet, featuring saxophonist Paul Saunders, bassist Sean Farias, and drummer Miki Matsuki; soprano Cristi Catt, mezzo-soprano Laurie Monahan, baroque flautists Carol Epple and Na'ama Lion, violinist Dana Maiben, viola da gambist Jane Hershey, lutenist Douglas Freundlich, harpsichordists Francis Conover Fitch and Peter Sykes, and dancers Camilla Finlay and Ken Pierce. |
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