Paul Gauguin

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Gauguin, Paul

(pôl gōgăN`), 1848–1903, French painter and woodcut artist, b. Paris; son of a journalist and a French-Peruvian mother.

Early Life

Gauguin was first a sailor, then a successful stockbroker in Paris. In 1874 he began to paint on weekends. By the age of 35, with the encouragement of Camille Pissarro, he devoted himself completely to his art, having given up his position and separated (1885) from his wife and five children. Allying himself with the Impressionists, he exhibited with them from 1879 to 1886. The next year he sailed for Panama and Martinique. In protest against the "disease" of civilization, he determined to live primitively, but illness forced him to return to France. The next years were spent in Paris and Brittany, with a brief but tragic stay with Van GoghVan Gogh, Vincent
, 1853–90, postimpressionist painter, b. the Netherlands. Van Gogh's works are perhaps better known generally than those of any other painter. His brief, turbulent, and tragic life is thought to epitomize the mad genius legend.
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 at Arles.

Later Life and Art

In 1888, Gauguin and Émile Bernard proposed a synthetist theory of art, emphasizing the use of flat planes and bright, nonnaturalistic color in conjunction with symbolic or primitive subjects. The Yellow Christ (Albright-Knox Art Gall., Buffalo) is characteristic of this period. Gauguin continued to search for a greater sense of spirituality and a greater sexual freedom than could be found in late 19th-century Europe, and in 1891, after selling 30 canvases, he used the proceeds to sail to Tahiti. There he spent two years living poorly, using Tahitian themes to paint some of his finest pictures, and writing Noa Noa (tr. 1947), an autobiographical novel set in Tahiti. He also created a group of carved wooden sculptures and superb woodcut prints depicting Tahitian subjects as well as lithographs and ceramics. In 1893 he returned to France, collected a legacy, and exhibited his work, rousing some interest but making very little money. Disheartened and sick from syphilis, which had afflicted him for many years, he again set out for the South Seas in 1895. There his last years were spent in poverty, despair, and physical suffering. In 1897 he attempted suicide and failed, living to paint for five more years. He died on Hiva Oa in the Marquesas. Islands.

Gauguin's Style and Impact on Modern Art

Today Gauguin is recognized as a highly influential founding father of modern art. He rejected the tradition of western naturalism, using nature as a starting point from which to abstract figures and symbols. He stressed linear patterns and remarkable color harmonies, imbuing his paintings with a profound sense of mystery. He revived the art of woodcutting with his free and daring knife work and his expressive, irregular shapes and strong contrasts. He produced some fine lithographs and a number of pottery pieces.

There are major examples of Gauguin's work in the United States, including The Day of the God (Art Inst., Chicago), Ia Orana Maria (1891; Metropolitan Mus.), By the Sea (1892; National Gall. of Art, Washington, D.C.), and his masterpiece Where do we come from? What are we? Where are we going? (1897; Mus. of Fine Arts, Boston). Somerset MaughamMaugham, Somerset
(William Somerset Maugham) , 1874–1965, English writer, b. Paris. He was noted as an expert storyteller and a master of the technique of fiction.
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's Moon and Sixpence (1919), based loosely on the life of Gauguin, did much to promote the Gauguin legend that arose shortly after his death.


See his letters ed. by M. Malingue (tr. 1949); his intimate journals tr. by V. W. Brooks (1958); P. Gauguin, My Father, Paul Gauguin (tr. 1937); D. Sweetman, Paul Gauguin: A Complete Life (1995); M. M. Mathews, Paul Gauguin: An Erotic Life (2001); D. Wildenstein, Gauguin: Catalogue Raisonné of the Paintings (2 vol., 2002); studies by R. J. Goldwater (1957), B. Danielsson (tr. 1965), W. Andersen (1971), A. Juszczak et al. (2009), and B. Thomson, ed (2010).

References in periodicals archive ?
That lady is Marie Ginoux, the owner of the Cafe de la Gare whom van Gogh and Paul Gaugin both met during their sojourn in Arles in 1888 (Hulsker 712).
First owned by artist Paul Gaugin, who called it "quite simply a marvel," it was purchased in 1918 by Gwendoline Davies.
We discovered Pont-Aven, where Gaugin found inspiration, with its public gallery full of Breton art treasures.
Paul Gaugin was confident that exhibiting his paintings at the Exposition would boost his reputation.
Gaugin was raised in an Orleans seminary and became receptive to the theological teachings of Bishop Dupanloup, particularly his idealism and anti-naturalism.
Las mujeres se convirtieron en uno de los factores referenciales tropicalizadores, encarnadas en el topico sensual que destilarian posteriormente las pinturas de Paul Gaugin, Hollywood o las guias turisticas al uso de nuestros dias.
Visit Pont-Aven, the home of Paul Gaugin, one of the fathers of French Impressionist painting
He and Paul Gaugin went on binges together, and van Gogh would invariably end up in a brothel, probably claiming that "absinthe makes the tart grow fonder.
Ademas, ahora estas relaciones bipolares admiten una gradacion de menor o mayor tension, dando lugar a una teoria generativa de las formas artisticas, en dependencia de una previa teoria generativa de las formas geometricas que se pretende confirmar mediante un analisis exhaustivo de 13 obras de arte de reconocido prestigio de Picasso, Raphael, Cezanne, Kooning, Holbein, Gaugin, Memling, Balthus, Ingres o Modigliani.
The curator laughed, and said that the only difference was that the Cezanne was worth triple of what the Gaugin was as Gaugin copied the Cezanne (with Cezanne's permission, of course, as they were friends).
These elements also welcome the necessary discussion of Tristan's grandson Paul Gaugin, and his interpretation of these same types of experiences into his artistic works and lifestyle.
1888: After a quarrel with Paul Gaugin, Vincent Van Gogh cut off his left earlobe.