George Wesley Bellows

(redirected from George Bellows)
Also found in: Wikipedia.

Bellows, George Wesley

 

Born Aug. 12, 1882, in Columbus, Ohio; died Jan. 8, 1925, in New York. American painter and graphic artist.

As a student of R. Henri and the most important realistic artist in the USA at the beginning of the 20th century, Bellows provided a broad and varied dramatic picture of American life in its true colors, depicting jails and slums, boxing matches, lynchings of Negroes, and scenes of work and carousals (Stag at Sharkey’s, 1909, Cleveland Museum of Art; Blessing in Georgia, 1916, Gallery of Fine Arts, Columbus; The Sand Team, 1917, Brooklyn Museum, New York). Bellows’ pictures, including his landscapes and portraits (Elinor, Jean, and Anna, 1920, Albright Gallery, Buffalo), are characterized by a free style of painting as well as by acute observation and a quality of the unexpected in the composition.

REFERENCE

Boswell, P. George Bellows. New York, 1942.
References in periodicals archive ?
Miss Bentham, by American realist George Bellows, will go on display in the gallery at the University of Birmingham, in Edgbaston, this week.
She was painted by American realist George Bellows and used to belong to .
He took inspiration for the film's visuals from famed American painter George Bellows.
It was carried on in America by the Ashcan school, which included such artists as George Bellows, Robert Henri, and Edward Hopper.
Among those featured: Thomas Eakins, Edward Boulton, Robert Henri, George Bellows, Ida Wells Stroud and Clara Stroud, Mildred Miller, Hugh Campbell, and Richard Blossom Farley.
My gallery guide gave me a few quick pointers on George Bellows who, when he died at the age of 42, was regarded as one of the greatest artists in America.
This knockout biography describes the life and work of the turn-of-the-century artist George Bellows.
George Bellows 10 June-8 October 2012 National Gallery, Washington DC Catalogue by Charles Brock (Ed.
The exhibition concentrates on a core group of major painters: John Singleton Copley, Charles Willson Peale, George Caleb Bingham, William Sidney Mount, Richard Caton Woodville, Eastman Johnson, Winslow Homer, Thomas Eakins, Mary Cassatt, John Singer Sargent, and George Bellows.
Most of the works in the catalogue typify the subjects for which an artist is best known; in the case of George Bellows, for instance, there are examples in the exhibition related to sporting themes (A Stag at Sharkey's, 1917, based on his 1909 oil painting of the same title in the Cleveland Museum of Art), and the inclusion of the powerful and disturbing lithograph, Electrocution, 1917, showing his stance on political issues of his day.
Public Life and Entertainment in the City" combines the raucous camaraderie of barber shops and crowded cinemas, with Coney Island beach scenes, Harlem dance clubs and backroom boxing matches, as immortalized by George Bellows in his iconic print "A Stag at Sharkey's, 1917.