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George Seferis

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Seferis, George 

(pen name of Giorgos Seferiades). Born Feb. 19, 1900, in İzmir, Turkey; died Sept. 20, 1971, in Athens. Greek poet.

Seferis moved to Athens in 1914. From 1918 to 1925 he studied law in Paris, and between 1926 and 1962 he served in the diplomatic corps. In 1931 he published his first collection of verse, The Turning Point, which was followed by the collections The Cistern (1932), Mythistorema (1935), Exercise Book (1940), Log Book I (1940), Log Book II (1944), The Thrush (1947), and Log Book III (1955). The metaphor of the deck of a ship, often used in his verse, represents a continually moving stage where the poet acts and meditates. His works portray modern themes through the use of Greek mythology. The verses of the 1930’s are permeated with elegiac recollections of childhood and dramatic reflections on the defeat of Greece in the Turkish War of Independence of 1919–22. During World War II, Seferis extolled the resistance fighters in their struggle for freedom. He was awarded a Nobel Prize in 1963.

WORKS

Poiemata. Athens, 1963.
Journal (1945–1951). Translated from Greek by L. Gaspar. Paris, 1973.
In Russian translation:
“Lik sud’by.” [Verses.] In Inostrannaia literatura, 1969, no. 9.

REFERENCES

Mochos, Ia. V. Kostas Varnalis i literatura grecheskogo Soprotivleniia. Moscow, 1968.
Mirambel, A. Georges Seferis: Prix Nobel 1963. Paris, 1964.

IANNIS MOCHOS



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His biography written by Guy Wagner (or Gail Holst) provide interesting information about Mikis career in composing; from the Symphonic music to his co-operations with leading poets (like Odysseus Elytis, Pablo Neruda, Federico García Lorca, George Seferis and Yannis Ritsos) and from the world-known soundtracks of Zorba the Greek, "Z" and Serpico to the revolutionary, anti-Junta, songs of 1970s with Maria Farantouri and Antonis Kalogiannis.
It was falling into the dream as I was coming out of the dream / So our life became one and it will be very difficult for it to separate again," wrote George Seferis about his relationship with art from antiquity (1).
That the title of this new collection refers to the London subway system hints at some of the more diverse themes here: contemplation of a sledge hammer and turnip-snedder; railroad ties (and railroads as vehicles to the concentration camps); homage to poets George Seferis and Czeslaw Milosz, among others; a first haircut; and a melting glacier ("grey-gristed earth-pelt, aeon-scruff").
 
 
 
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