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Terborch, Gerard
(redirected from Gerard ter Borch)

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Terborch, Gerard

 or Gerard ter Borch

(born 1617, Zwolle, Neth.—died Dec. 8, 1681, Deventer) Dutch painter. After travels in England, Italy, Westphalia, and Spain, he returned home in 1648 and settled in Deventer in 1654. His works consist almost equally of portraits and genre paintings. By subtlety of tonal gradations and mastery of rendering diverse textures, he achieved extraordinarily rich effects with the clothing in his portraits. His superb colour sense is seen to advantage in his interior genre pieces, in which he depicted with grace and fidelity the atmosphere of well-to-do middle-class life in 17th-century Holland.


Terborch, Gerard 

(also Ter Borch). Born late December 1617, in Zwolle; died Dec. 8,1681, in Deventer. Dutch painter.

Terborch studied from 1633 to 1635 under P. de Molyn in Haarlem, where he also came under the influence of F. Hals. He also worked in Amsterdam, Zwolle (or Kampen, 1650–54), and Deventer (from 1654). He visited London (1635), Spain and Italy (c. 1640–41), Münster (1646–48), and France.

In his early period—from 1630 to the early 1650’s—Terborch painted scenes of peasant and military life characterized by soft chiaroscuro effects and a delicate style, for example, Knife-grinder’s Family (Dahlem Picture Gallery, Berlin). In his mature period—from 1650 to the 1660’s—he painted scenes from the lives of wealthy burghers, portraying small groups of figures in serene poses, often viewed from the back. His best works of this period include Fatherly Advice (c. 1662, Dahlem Picture Gallery) and Gallant Officer (c. 1662, the Louvre). The severe elegance of the figures in these works was achieved by means of a subdued, rather cold palette based on the combination of white and black clothing with accents of vivid color. His later works also feature subtle rendering of light and air and masterful treatment of fabric textures. Among Terborch’s best-known works are his small-scale exquisitely executed full-length portraits, for example, Portrait of a Man (National Gallery, London).

REFERENCE

Gudlaugsson, S. J. Geraert Ter Borch, vols. 1–2. The Hague, 1959–60.


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Rembrandt, Hals and Vermeer are a glorious enough inheritance for any nation, but throw in smaller masters like Pieter de Hooch, Gerard ter Borch, Pieter Claesz, Aelbert Cuyp, Meindert Hobbema, Jan Steen, Ferdinand Bol and (not included at the Met) Pieter Saenredam and Carel Fabritius, and you have one of those historic flowerings that beggar the imagination.
In response to an inquiry received in March, 2000 via the museum's Web site as to whether or not the museum owned "The Letter" by the Dutch painter Gerard Ter Borch, the museum discovered that the provenance of the painting was dubious.
 
 
 
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