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action painting
(redirected from Gestural abstraction)

   Also found in: Wikipedia, Hutchinson 0.07 sec.
action painting: see abstract expressionism abstract expressionism, movement of abstract painting that emerged in New York City during the mid-1940s and attained singular prominence in American art in the following decade; also called action painting and the New York school.
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action painting

Direct, instinctual, dynamic style of painting that involves the spontaneous application of vigorous, sweeping brush strokes and the chance effects of dripping and spilling paint onto the canvas. The term characterizes the work of Jackson Pollock, Willem de Kooning, and Franz Kline. The “automatic” techniques developed in Europe by the Surrealists in the 1920s and '30s had great influence on U.S. artists, who regarded a picture not merely as a finished product but as a record of the process of its creation. It was a major force in Abstract Expressionism in the 1950s. See also automatism, Tachism.


action painting
a development of abstract expressionism evolved in the 1940s, characterized by broad vigorous brush strokes and accidental effects of thrown, smeared, dripped, or spattered paint


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As painters, they adapted and hybridized some of the looseness and ambivalence of '40s figuration and the game-playing of gestural abstraction.
His vaguely Johnsian, three-dimensional wood pieces of the early '60s and the subsequent muted, tactile, gestural abstractions on collaged paper that can be hung recto or verso (1967-75) are eccentric and engaging and reminiscent of the unstructured works of Richard Tuttle.
In the early '60s, this Dutch master traded gestural abstraction for the painstaking and exact reworking of found motifs, first on wrapping paper from Japanese department stores like Mitsukoshi, then everywhere his life as a traveler took him: Van Golden refused to participate in the race for novelty.
 
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