Giacomo Puccini (redirected from Giacomo Antonio Domenico Michele Secondo Maria Puccini)

Puccini, Giacomo 

Born Dec. 22, 1858, in Lucca; died Nov. 29,1924, in Brussels. Italian composer.

Born into a musical family, Puccini became a church organist at the age often. He appeared in concerts as a pianist and as an organist. In 1883 he graduated from the Milan Conservatory, where he studied with A. Ponchielli (composition) and A. Bazzini (theory).

Puccini’s creative work is associated with opera. His first operas, Le villi and Edgar (1884 and 1889, Milan), are not among his best, but he won fame for Manon Lescaut (Turin, 1893; based on a novel by the Abbe Prévost). His most brilliant works and the ones most characteristic of his style became internationally famous—La Bohème (Turin, 1896; based on a novel by H. Murger), Tosca (Rome, 1900; based on a play by V. Sardou), and Madame Butterfly (Milan) 1904; after a work by D. Belasco; in Russian, Cho-Cho-san). Puccini also wrote the operas The Girl of the Golden West (based on a play by Belasco; New York, 1910), La rondine (Monte Carlo, 1917), and Il trittico (The Triptych; New York, 1918), which consists of three one-act operas that are distinctly different from each other— Il tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. His last opera, Turandot (1922–24; based on a play by C. Gozzi), was completed after his death by the composer F. Alfano and presented in 1926 in Milan.

Puccini’s aesthetic views developed under the influence of verismo. He strove to embody reality, with its typically sharp clashes of passions, in his music. All of his operas center on the image of the woman who is ready to sacrifice everything in the name of love. Puccini’s music, which is built on bold, emotionally rich melodies associated with the traditions of Italian popular songs, is captivating for the beauty and passion of its lyrical melodic line. An innovative composer, Puccini developed the artistic principles of G. Verdi. He created a unique recitativearia style that was new to Italian opera. This style has become one of the main components of the contemporary European opera.

REFERENCES

Nest’ev, I. Dzhakomo Puchchini: Ocherk zhizni i tvorchestva, 2nd ed. Moscow, 1966.
Keldysh, T. Dzhakomo Puchchini, 2nd ed. Leningrad, 1968.
Marotti, G. Giacomo Puccini. Florence, 1949.

T. G. KELDYSH