Giambattista Marino


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Marino, Giambattista

 

Born Oct. 18, 1569, in Naples; died there Mar. 25, 1625. Italian poet.

Marino gave his name to a trend in baroque poetry, marinismo, which was prevalent in 17th-century Italian literature. His attitude was one of hedonism combined with a belief in the transitory nature of everything and in the disharmony of the universe. He was a skillful poet, although he fell back upon mannered images, complicated metaphors, and forced antitheses and comparisons. His most important work is Adonis (Paris, 1623; Russian translation, 1783), a narrative poem in 20 cantos, written in octaves. His fame was short-lived.

WORKS

Poesia e prosa. Milan, 1930.
In Russian translation:
Khrestomatiia po zapadno-evropeiskoi literature XVII v., 2nd ed. Compiled by B. I. Purishev. Moscow, 1949.

REFERENCES

Artamanov, S. D., and R. M. Samarin. Istoriia zarubezhnoi literatury XVII v. Moscow, 1958.
De Sanctis, F. Istoriia ital’ianskoi literatury, vol. 2. Moscow, 1964.
Flora, F. Storia della letteratura italiana, vol. 3. Milan, 1940.
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References in periodicals archive ?
Francesco Giambonini had offered an anticipation of his Bibliografia delle opere a stampa di Giambattista Marino in Studi secenteschi, 36 (1995), 195-276; 37 (1996), 317-65; 38 (1997), 357-94; 39 (1998), 243-322.
Giambattista Marino supo quien es, precisamente la vispera de su muerte.
A reaction against classicism, it was named for the 17th-century poet Giambattista Marino and inspired by his collection of lyrical verse, La lira (1608-14; "The Lyre").
The most notable exception is Giambattista Marino, represented by two madrigals in the second book that are among th e earliest musical settings of lyrics by the popular Neapolitan poet.