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Giambattista Marino

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Marino, Giambattista 

Born Oct. 18, 1569, in Naples; died there Mar. 25, 1625. Italian poet.

Marino gave his name to a trend in baroque poetry, marinismo, which was prevalent in 17th-century Italian literature. His attitude was one of hedonism combined with a belief in the transitory nature of everything and in the disharmony of the universe. He was a skillful poet, although he fell back upon mannered images, complicated metaphors, and forced antitheses and comparisons. His most important work is Adonis (Paris, 1623; Russian translation, 1783), a narrative poem in 20 cantos, written in octaves. His fame was short-lived.

WORKS

Poesia e prosa. Milan, 1930.
In Russian translation:
Khrestomatiia po zapadno-evropeiskoi literature XVII v., 2nd ed. Compiled by B. I. Purishev. Moscow, 1949.

REFERENCES

Artamanov, S. D., and R. M. Samarin. Istoriia zarubezhnoi literatury XVII v. Moscow, 1958.
De Sanctis, F. Istoriia ital’ianskoi literatury, vol. 2. Moscow, 1964.
Flora, F. Storia della letteratura italiana, vol. 3. Milan, 1940.


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Through the good graces of the poet Giambattista Marino, he made it to Rome, where he impressed the locals with his brush’s “felicitous fashion.
1560 and educated in Rome, she was a protegee of the Colonna family, exchanged verse with Tasso, corresponded with Galileo, disputed with Giambattista Marino about poetry, and was a member of the Accademia degli Umoristi and later the Accademia degli Ordinati.
The specific practices of the Academy are traced from the years of Viceroy Lemos (1611-15), through the period of the philological studies of Basil (1616-22) and the influence of the aristocratic commission, to the arrival of Giambattista Marino and the Theater of Glory (1623-28), to the death of the founder and the publication of Manso's Poesie (1629-45).
 
 
 
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