Emil Gilels

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Gilel’s, Emil’ Grigor’evich

 

Born Oct. 6 (19), 1916, in Odessa. Soviet pianist. People’s Artist of the USSR (1954). Member of the CPSU since 1942.

Gilel’s graduated from the Odessa Conservatory in 1935 from the class of B. M. Reingbal’d and a graduate division attached to the Moscow Conservatory in 1938, where he studied with G. G. Neigauz (1935-38). He first performed in 1929. He has been teaching at the Moscow Conservatory since 1938, becoming a professor in 1952. Gilel’s is one of today’s outstanding pianists. His playing is noted for its emotionality, power, tremendous virtuosity, rhythmic freedom, and original and fresh interpretation. He has given concerts in many foreign countries. A prizewinner at international piano competitions in Vienna (1936, second prize) and in Brussels (the Ysaye competition, 1936, first prize), he received the State Prize of the USSR in 1946 and the Lenin Prize in 1962. Gilel’s has been awarded two Orders of Lenin, two other orders, and various medals.

REFERENCE

Khentova, S. Emil’ Gilel’s, 2nd ed. Moscow, 1967.
References in periodicals archive ?
And speaking of the best available, may I suggest that Richter can stand proudly alongside Gilels (DG and RCA), Kovacevich (Philips), Cliburn (RCA), and Pollini (DG).
In the introduction Barber recalls first learning of Siloti in 1973 at a performance by Emil Gilels in Vancouver.
Emil Gilels, Carol Brice, soloists; Fritz Reiner, Chicago Symphony Orchestra, RCA Victor Symphony Orchestra, Robin Hood Dell Orchestra, NBC Symphony Orchestra, Pittsburgh Symphony Orchestra.
Heinrich Neuhaus, teacher of Gilels and Richter among many distinguished others, commented in his book, The Art of Piano Playing:
Gilels especially was for long decades a fixed star of the festival, astounding the public with his perfect combination of vertiginous technique and ingenious, poetic and passionate expressiveness.
It helped, of course, that Cliburn was, in Richter's words, "a genius," an opinion shared by such heavyweights as Emil Gilels and Heinrich Neuhaus.
There's the technical accomplishment by the RCA recording staff, the playing of the Chicago Orchestra, and the interpretation by Reiner and Gilels.
His book does indeed "add new living features to the images of those who are widely known [such as Emil Gilels, David Oistrakh, Bella Davidovich, and Lazar Berman] and help[s] preserve the memories of others, modest and deserving, whose lives were dedicated to music" (p.
At a low bargain price, this Brahms issue may seem a bargain, but if one remembers that the Gilels and Kovacevich recordings at mid price are only a tad more money, they can look like treasures.
In this regard, the performance styles of luminaries such as Sofronitskii, Horowitz, and Richter may embody Leikin's suggestions to a greater or lesser degree, but do other no less noteworthy Scriabinists such as Gilels, Lazar Berman, and Ashkenazy obey such descriptions and, if not, are their interpretations less valid?
For Information, please contact Deborah Gilels, LA Media Consultants, 818-758-6509.
Boris Berman draws also from his insights derived from hearing early performances of the sonatas by such distinguished pianists as Gilels and Richter.