Printer Friendly
Dictionary, Encyclopedia and Thesaurus - The Free Dictionary
3,908,240,168 visitors served.
forum Join the Word of the Day Mailing List For webmasters
?
Dictionary/
thesaurus
Medical
dictionary
Legal
dictionary
Financial
dictionary
Acronyms
 
Idioms
Encyclopedia
Wikipedia
encyclopedia
?

Giovanni Pascoli

   Also found in: Wikipedia 0.01 sec.
Pascoli, Giovanni 

Born Dec. 31, 1855, in San Mauro, in the region of Romagna; died Apr. 6, 1912, in Bologna. Italian poet.

As a young man, Pascoli was attracted to socialism, but he soon abandoned politics. In 1906 he occupied the chair of Italian literature at the University of Bologna. Such collections as Tamarisks (1891), Songs of Castelvecchio (1903), and First Poems (1904) crystallized Pascoli’s chief traits as an artist: a poeticizing of everyday life, new impressionistic rhythms, a vivid awareness of nature, and direct expression of feeling. Many of his poems appealed for “Christian socialism” and for the brotherhood of man in the face of an impending war. Pascoli’s attempts to retreat from reality into a world of memories often led him to introduce decadent motifs and obscure symbolism into his work. In Songs of King Enzio (1908) and Italian Poems (1911) he celebrated Italian history.

WORKS

Poemi conviviali, 2nd ed. Bologna, 1910.
Poesie. Milan [1940].

REFERENCES

Lunacharskii, A. V. “Dzhovanni Pascoli.” Sobr. soch., vol. 5. Moscow, 1965.
Croce, B. “Giovanni Pascoli.” In La letteratura italiana, vol. 4. Bari, 1960.
Sozzi, G. G. Pascoli, nella vita, nell’arte e nella storia della critica. Florence, 1967.
Cecchi, E. La poesía di G. Pascoli. [Milan] 1968.
Materiali critici per G. Pascoli. Rome, 1971.

Z. M. POTAPOVA



Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content.
?Page tools
Printer friendly
Cite / link
Feedback
Mentioned in?  References in periodicals archive?   Encyclopedia browser?   Full browser?
No references found
 
traces the influence of a little-studied Gothic-like movement in northern Italy on the lyrics of Giovanni Pascoli (1855-1912), offers new readings of his work in light of Freud's articulation of the uncanny, and compares late 19th-century Italian literature and Freudian psychoanalysis.
Nel raffronto delle traduzioni, l'autore illustra scelte traduttive diverse, dalle versioni ottocentesche di Bartolomeo Benincasa a quelle novecentesche di Giovanni Pascoli, Franco Marucci e Angelo Righetti.
Le pagine che ha scritto, in particolare, su Giovanni Pascoli, Antonio Delfini, Natalia Ginzburg, e Sandro Penna sono destinate a restare tra le piu convincenti e suadenti dell'intera critica novecentesca su questi autori.
 
 
 
Encyclopedia
?

Terms of Use | Privacy policy | Feedback | Advertise with Us | Copyright © 2012 Farlex, Inc.
Disclaimer
All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.