Gray, Thomas

Gray, Thomas, 1716–71, English poet. He was educated at Eton and Peterhouse, Cambridge. In 1739 he began a grand tour of the Continent with Horace Walpole. They quarreled in Italy, and Gray returned to England in 1741. He continued his studies at Cambridge, and he remained there for most of his life, living in seclusion, studying Greek, and writing. In 1768 he was made professor of history and modern languages, but he did no real teaching. Although he was reconciled with Walpole, and formed other close relationships in his lifetime, his shy and sensitive disposition was ill adapted to the robust century in which he lived. He was offered the laureateship in 1757 but refused it. His first important poems, written in 1742, include "To Spring," "On a Distant Prospect of Eton College," and a sonnet on the death of his close friend Richard West. After years of revision he finished his great "Elegy Written in a Country Churchyard" (1751), a meditative poem presenting thoughts conjured up by the sight of a rural graveyard; it is perhaps the most quoted poem in English. In 1757, Walpole published Gray's Pindaric odes, "The Progress of Poesy" and "The Bard." Gray's verse illustrates the evolution of English poetry in the 18th cent.—from the classicism of the 1742 poems to the romantic tendencies of "The Fatal Sisters" and "The Descent of Odin" (1768). He did not write a large amount of poetry. Much of his verse is tinged with melancholy, and even more of it reflects his extensive learning. His letters, which contain much humor, are among the finest in the English language.

Bibliography

See his collected works, ed. by E. Gosse (4 vol., rev. ed. 1902–6; repr. 1968); his correspondence, ed. by P. Toynbee and L. Whibley (1935, repr. 1971); selected letters, ed. by J. W. Krutch (1952); biographies by R. W. Ketton-Cremer (1955), M. Golden (1964), W. P. Jones (1937, repr. 1965); study by A. L. Sells (1980); A. T. McKenzie, Thomas Gray: A Reference Guide (1982).

---

Gray, Thomas

Thomas Gray, detail of an oil painting by John Giles Eccardt; in the National Portrait Gallery, …

(credit: Courtesy of The National Portrait Gallery, London)

(born Dec. 26, 1716, London, Eng.—died July 30, 1771, Cambridge, Cambridgeshire) British poet. He studied and later settled at Cambridge, where he wrote poems of wistful melancholy filled with truisms phrased in striking, quotable lines. Though his output was small, he became the dominant poetic figure in his day. He is remembered especially for “An Elegy Written in a Country Church Yard” (1751), one of the best known of English lyric poems and the greatest work of the English “graveyard school.” After its overwhelming success, his next two poems met a disappointing response, and he virtually ceased writing.

---

Gray, Thomas 

Born Dec. 26, 1716, in Cornhill, London; died July 30. 1771, in Cambridge. English poet.

Gray was educated at Cambridge University. His best work is the Elegy Written in a Country Churchyard (1751). Its melancholy, its idea of death as the equalizer of rich and poor, and its idealization of patriarchal country life make the poem a vivid model of sentimentalism and lyricism. In Russia, the elegy is well known in V. A. Zhukovskii’s translation (1802, under the title A Country Churchyard). In his later works Gray showed an interest in the traditions of popular history and mythology, which was characteristic of the period of the emergence of preromanticism.

WORKS

The Works in Prose and Verse, vols. 1–4. London-New York 1902–06.

REFERENCES

Istoriia angliiskoi literatury, vol. 1, fasc. 2. Moscow-Leningrad, 1945. Pages 550–54.
Jones, W. P. Thomas Gray, Scholar. New York, 1965.

E. V. KORNILOVA