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Group Theatre

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Group Theatre, organization formed in New York City in 1931 by Harold Clurman, Clurman, Harold (kl
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 Cheryl Crawford, and Lee Strasberg Strasberg, Lee (străs`bərg, sträs`–), 1901–82, American theatrical director, teacher, and actor, b.
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. Its founders, who had worked earlier with the Provincetown Players Provincetown Players, American theatrical company that first introduced the plays of Eugene O'Neill . The company opened with his Bound East for Cardiff
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, wished to revive and redefine American theater by establishing a permanent company to present contemporary plays of social significance and by developing the theaterical arts, in particular, that of acting. Under Strasberg's tutelage, the actors explored the interior techniques based on Stanislavsky Stanislavsky, Constantin (kənstəntyēn` stənyĭsläf`skē)
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's teachings that evolved into the American Method style of acting. Although never financially secure, the group was recognized as a vital theatrical force. It was at its height between 1935 and 1937, when it produced Awake and Sing, Waiting for Lefty, and Golden Boy, all by Clifford Odets Odets, Clifford (ōdĕts`), 1906–63, American dramatist, b. Philadelphia.
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. In 1937, Clurman became sole director. Although the group disbanded in 1941, its influence was great; many of its members became prominent actors, teachers, and directors.

Bibliography

See H. Clurman, The Fervent Years (1945).


Group Theatre

New York theatre company (1931–41) founded by Harold Clurman, Cheryl Crawford, and Lee Strasberg to present U.S. plays of social significance. Embracing the acting principles of the Stanislavsky method, the company—which also included actors and directors such as Elia Kazan, Lee J. Cobb, and Stella Adler—staged John Howard Lawson's Success Story (1932), Sidney Kingsley's Men in White (1933), Clifford Odets's Waiting for Lefty (1935) and Golden Boy (1937), Irwin Shaw's Bury the Dead (1936), and William Saroyan's My Heart's in the Highlands (1939), among many other plays.



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