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Guillaume Dufay

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Dufay, Guillaume 

Born about 1400; died Nov. 27, 1474, in Cambrai. Franco-Flemish composer; one of the founders of the Netherlands school. Worked in Italy and France.

From 1428 to 1437 he was a singer in the papal choirs in Rome and other Italian cities, and from 1437 to 1444 he served the duke of Savoy. From 1445 he was a canon and the director of music at the cathedral in Cambrai. Dufay was a master of both sacred music, notably three- and four-part Masses and motets, and secular compositions, including three- and four-part French and Italian chansons, ballads, and rondos, reflecting national polyphonic traditions, as well as the humanist culture of the Renaissance. Dufay’s art, which had absorbed the achievements of European musical art, had a great influence on the further development of European polyphonic music. He was also a reformer of notation, being credited with introducing white notes. His complete collected works were published in Rome (6 vols., 1951-66).

REFERENCE

Borren, C. van den. Guillaume Dufay: Son importance dans l’évolution de la musique au XVe siècle. Brussels, 1925.


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Nuper rosarum flores has long been known to musicologists and historians of Florence as the brilliant isorhythmic motet commissioned from Guillaume Dufay for the dedication of the new Cathedral of S.
The music comes to us courtesy of 14th-, 15th-, and 16th-century composers such as Orlando di Lasso, Guillaume Dufay, Estienne Dutertre, Clemens non Papa, Philippe Rogier, Philippus de Monte, and others.
The Renaissance (early 15th to early 17th centuries) half of the program will sweep through madrigals, motets, chanconnes, part-songs, one movement of a mass and dance music, mainly from France, Germany, Italy and England by such masters as Guillaume Dufay, Johannes Ockeghem, Josquin Desprez, Claudin de Sermisy, Clement Janequin, Orlando di Lasso, Orazio Vecchi, Luca Marenzio, Giovanni Pierluigi da Palestrina, Hanns Leo Hassler, Orlando Gibbons, Thomas Morley and John Dowland.
 
 
 
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