Eugène Guillevic

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Guillevic, Eugène


Born Aug. 5, 1907, in Carnac. French poet. Member of the French Communist Party since 1942.

Guillevic first appeared in print on the eve of World War II in the magazine Commune (1939), with verses in memory of fallen Spanish Republicans. As a member of the Resistance movement, Guillevic took part in the underground patriotic press. The world is tragically depicted in poems from the collection From Earth and Water (1942). The laconic and severe lines of the collections Breaks (1947) and Writ of Execution (1947) call upon the people to struggle against the ugliness of their surroundings. Guillevic is the herald of the battle against social evils in the collections Thirst for Life and The Taste of Peace (both 1951) and Land for Happiness (1952). The themes of many of his poems of the 1950’s and 1960’s are the questions of war and peace and philosophic meditations on human duty (Together, 1966, and Euclidean Motifs, 1967). He translated into French a poetry collection by T. G. Shevchenko and the works of several Russian poets.


Carnac. Paris, 1961.
Sphère [Poèmes]. Paris [1963].
Ville. Paris, 1969.
In Russian translation: [“Stikhi.”] In Freno, Gil’vik: Izfrantsuzskoi poezii. Foreword by S. Velikovskii. Moscow, 1969.


Vaksmakher, M. Frantsuzskaia literatura nashikh dnei. Moscow, 1967. Pages 201-11.
Daix, P. Guillevic. Paris, 1954.
Lacòte, R. “Guillevic.” Les Lettres françaises, Feb. 9-15, 1961, no.862.


References in periodicals archive ?
Contact point(s): Mme Guillevic +33 141635846 ou M.
The answers to these latter questions of value and development are undoubtedly personal, easily veering to the ideological, though ideally demanding an open-mindedness and an intersubjective ease that, equally, poets such as Guillevic have asked of the reader (Trente et un sonnets, 1954) as, of course, such poets as Jacques Roda or Yves Leclair do not hesitate to require in more recent years.
We choose Anubex", explains Michel Le Guillevic, IT Director at Air France Industries, "because through their extensive experience in migrating applications to modern platforms they were able to automate the conversion.
Michel Le Guillevic of Air France Industries continues: `During this migration project of a very specific nature, Anubex managed to bring precise solutions quickly for certain technological challenges.
FIVE YEARS AGO, Eugene Guillevic left us--his considerable sum of published work and the one hundred and thirty poems collected in Quotidiennes and edited here for the first time, thanks to the combined efforts of Lucie Guillevic-Albertini and Bernard Joseph Samain.
Certainly, Guillevic can articulate a sense of distance and separation, yet gratitude dominates and implies deeper connection.
In which is revealed / An irrefutable calling forth"--he is addressing here an acacia bush--retains its grip over a poetic imagination straining to peer through the visible into what Elytis termed, in his 1979 Nobel acceptance speech, the "metaphysical significance" of observable phenomena, Guillevic shows in Quotidiennes that frank reluctance, and no doubt incapacity, to credit, absolutely, the very instincts and emotional orientation that yet make his work compelling, lastingly memorable.
Guillevic taught him the economy of words; Neruda steered him away from intellectualism.
Ivask appointed his admirer as a member of the 1982 Neustadt Prize jury, for which Morina nominated Eugene Guillevic.
The work of Eugene Guillevic continues to unfold its perceptiveness and its shrewdness, its still-craving attachment to the teeming phenomena of the earth and its increasingly mellow, caressing meditation of the fullness and the precariousness of our presence/absence.
The naming of being, and therefore nowness, is endless, provisional, relative; but the difficulty, the impossibility some would say, in no way involutes and implodes such naming, whose trace remains fatally pertinent inasmuch as it affirms--joyously, smilingly, moreover, Guillevic will insist--experience's openness and vitality, its indefinableness and its glory.