Handke, Peter (pā`tər hänt`kə), 1942–, Austrian novelist and playwright. His controversial, avant-garde works often reflect his ironic sense of the constricting limitations of language and reason and the chaos of actual human experience. His plays include Kaspar (1968), They Are Dying Out (1973), and The Hour We Knew Nothing of Each Other (1994), which contains 400 characters and no dialogue. Among his other works are the novels Die Angst des Tormanns beim Elfmeter (1970; tr. The Goalie's Anxiety at the Penalty Kick, 1972), Die linkshändige Frau (1976; tr. The Left-Handed Woman, 1978), and On a Dark Night I Left My Silent House (1997, tr. 2000); a biographical account of his mother's illness, Wunschloses Unglück (1972; tr. A Sorrow beyond Dreams, 1975; also a theatrical monologue, 1977); the journal Weight of the World (1977, tr. 1984); the essay collection The Jukebox (tr. 1994); and the screenplay for Wim Wenders's Wings of Desire (1987). The usually apolitical Handke set off a storm of protest in Europe with his long essay, A Journey to the Rivers (1996, tr. 1997), a pro-Serbian work about the civil war that accompanied Yugoslavia's disintegration.

Handke, Peter

(born Dec. 6, 1942, Griffen, Austria) Austrian writer. He studied law before beginning to write seriously. He earned an early reputation as a member of the avant-garde with plays such as Offending the Audience (1966), in which actors analyze the nature of theatre and alternately insult the audience and praise its “performance,” and Kaspar (1968). His novels, mostly ultraobjective, deadpan accounts of characters in extreme states of mind, include The Goalie's Anxiety at the Penalty Kick (1970) and The Left-Handed Woman (1976). A dominant theme of his works is the deadening effects and underlying irrationality of ordinary language, everyday reality, and rational order.