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Arp, Jean
(redirected from Hans Arp)

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Arp, Jean or Hans, 1887–1966, French sculptor and painter. Arp was connected with the Blaue Reiter Blaue Reiter, der [Ger.,=the blue rider], German expressionist art movement, lasting from 1911 to 1914. It took its name from a painting by Kandinsky, Le cavalier bleu.
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 in Munich, various avant-garde groups in Paris, including the surrealists, and the Dadaists in Zürich. He consistently created novel and abstract forms in various media—bas-reliefs, collages, painted cutouts, sculpture in the round, and painted wood reliefs. Often given a humorous touch, his works contain elements of organic form while retaining their essential abstraction. Arp finished a monumental wood relief for Harvard in 1950.

Bibliography

See his Arp on Arp, ed. by M. Jean (1972); catalog of his sculpture by François Arp (1968); study by H. Read (1968).


Arp, Jean

 known as Hans Arp

(born Sept. 16, 1887, Strassburg, Ger.—died June 7, 1966, Basel, Switz.) French painter, sculptor, and poet. After studying in Weimar, Ger., and at the Académie Julian in Paris, he became involved in the most important movements of early 20th-century art: Der Blaue Reiter in Munich (1912), Cubism in Paris (1914), Dada in Zurich during World War I, Surrealism (1925), and Abstraction-Création (1931). During these years he produced polychrome relief carvings in wood, cut-paper compositions, and, in the 1930s, his most distinctive sculptural works: abstract forms that suggest animals and plants. He also wrote poetry.



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These pavilions were made for collector Karl-Heinrich Muller, to display his eclectic art collection (including work by Yves Klein, Kurt Schwitters, and Hans Arp, as well as antique objects and sculpture) in the most unique of circumstances.
JJ) Hans Arp - Horloge (1924) The roly-poly painted wooden blobs of Arp's art prove that abstraction does not have to be serious.
This clearly establishes that they are vessels, while his latest pieces with their asymmetrical protrusions remind us of the work of Hans Arp or certain idol-like forms.
 
 
 
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