El mechon de cabello lo tuvo primero el estudiante de Durer, Hans Baldung Grien
, quien habia sido aprendiz del maestro de Nuremberg entre 1503 y 1507.
German paintings from the likes of Hans Baldung Grien
depict women, stark naked, "with mirrors between their legs.
Rather, the works emanating from his series of performance-based pieces called Drawing Restraint, of which there are 18 numbers, or episodes (thus far), are presented in tandem with a selection of Northern Renaissance prints and paintings, most with explicit Christian iconography, from various collections in the surrounding region by the artists Hans Baldung Grien
, Lucas Cranach the Elder, Albrecht Durer, Hendrick Goltzius, Urs Graf, Martin Schongauer, and a few others.
In his painting Noah and the Flood, Hans Baldung Grien
gives us an ark--more strongbox than ship--around which swirl the waters of annihilation.
As a result, the works presented here are generally attributed, for example, to Titian, Durer, or Hans Baldung Grien
and "unidentified block cutters.
If Hans Baldung Grien
and Hans Schaufelein supposedly managed Durer's workshop while he was in Venice in 1505-07, why are they never mentioned in his letters and why did he ask Pirckheimer to take his brother Hans to Wolgemut to continue his training as a painter?
Special focus will be given to three artists who worked in both media, Albrecht Durer, Hans Baldung Grien
and Jorg Breu.
De la Torre de Babel de Der Borcht o Brueghel el Viejo a las ruinas de las Torres Gemelas; de las primeras representaciones de Hans Baldung Grien
en 1531 de Adan y Eva a Eva, la serpiente y la muerte: la conexion es inmediata, un nuevo horizonte de sentido se abre.
He will test your abilities to recognize quotes from Norman Rockwell and Conan the Barbarian alongside references to Hans Baldung Grien
Certainly Miles reads the Incarnation backward into the gospels; so did Dante and Hans Baldung Grien
The Surrealists found it present throughout the history of art--in Hieronymus Bosch and in Hans Baldung Grien
for obvious reasons, in Seurat's La Grande Jatte for less obvious ones.
Successive chapters of the volume address the following topics: cultural and theological settings; Matthias Grunewald; Albrecht Durer; Lucas Cranach the Elder; Michelangelo Buonarroti; Hans Holbein the Younger, Hans Baldung Grien
, and Albrecht Altdorfer; Protestant iconoclasm and Roman Catholic response; and concluding thoughts on the Reformation legacy with respect to religion and art.