Hans Baldung

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Baldung, Hans

 

(nicknamed Grien). Born circa 1484-S5 in SchwäbischeGmünd(?), Württemberg; died 1545 in Strass-burg (present-day Strasbourg, France). German Renaissance painter and draftsman of the upper Rhine school. He was influenced by A. Dürer, in whose studio he worked from 1502 to 1504, and by M. Neithardt. He spent most of his life in Strassburg. Baldung’s art (portraits and religious compositions) is full of contradictions: Renaissance rationalism is combined with mysticism, and smoothly sculpted forms with broken rhythmic lines. His works include the main altar of the cathedral in Freiburg im Breisgau (1512–16) and Death and the Woman (1517, in the Public Art Collection, Basel).

REFERENCES

Escherich, M. Hans Baldung-Grien, Bibliographie, 1509 bis 1915. Strassburg, 1916.
Curjel, H. Hans Baldung-Grien. Munich, 1923.
Fischer, O. Hans Baldung-Grien. Munich, 1939. Second edition:Munich, 1943.
Hans Baldung-Grien:Ausstellung, 1959[catalog]. Staatliche Kunst-halle, Karlsruhe [1959].
References in periodicals archive ?
El mechon de cabello lo tuvo primero el estudiante de Durer, Hans Baldung Grien, quien habia sido aprendiz del maestro de Nuremberg entre 1503 y 1507.
German paintings from the likes of Hans Baldung Grien depict women, stark naked, "with mirrors between their legs.
Rather, the works emanating from his series of performance-based pieces called Drawing Restraint, of which there are 18 numbers, or episodes (thus far), are presented in tandem with a selection of Northern Renaissance prints and paintings, most with explicit Christian iconography, from various collections in the surrounding region by the artists Hans Baldung Grien, Lucas Cranach the Elder, Albrecht Durer, Hendrick Goltzius, Urs Graf, Martin Schongauer, and a few others.
In his painting Noah and the Flood, Hans Baldung Grien gives us an ark--more strongbox than ship--around which swirl the waters of annihilation.
As a result, the works presented here are generally attributed, for example, to Titian, Durer, or Hans Baldung Grien and "unidentified block cutters.
If Hans Baldung Grien and Hans Schaufelein supposedly managed Durer's workshop while he was in Venice in 1505-07, why are they never mentioned in his letters and why did he ask Pirckheimer to take his brother Hans to Wolgemut to continue his training as a painter?
Special focus will be given to three artists who worked in both media, Albrecht Durer, Hans Baldung Grien and Jorg Breu.
De la Torre de Babel de Der Borcht o Brueghel el Viejo a las ruinas de las Torres Gemelas; de las primeras representaciones de Hans Baldung Grien en 1531 de Adan y Eva a Eva, la serpiente y la muerte: la conexion es inmediata, un nuevo horizonte de sentido se abre.
He will test your abilities to recognize quotes from Norman Rockwell and Conan the Barbarian alongside references to Hans Baldung Grien and Botticelli.
Certainly Miles reads the Incarnation backward into the gospels; so did Dante and Hans Baldung Grien and Bach.
The Surrealists found it present throughout the history of art--in Hieronymus Bosch and in Hans Baldung Grien for obvious reasons, in Seurat's La Grande Jatte for less obvious ones.
Successive chapters of the volume address the following topics: cultural and theological settings; Matthias Grunewald; Albrecht Durer; Lucas Cranach the Elder; Michelangelo Buonarroti; Hans Holbein the Younger, Hans Baldung Grien, and Albrecht Altdorfer; Protestant iconoclasm and Roman Catholic response; and concluding thoughts on the Reformation legacy with respect to religion and art.