Hans Magnus Enzensberger


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Enzensberger, Hans Magnus

 

Born Nov. 11, 1929, in Kaufbeuren, Bavaria. German writer (Federal Republic of Germany).

From 1949 to 1954, Enzensberger studied German philology, literary criticism, and philosophy in German universities and at the Sorbonne. His collections In Defense of the Wolves (1957), The Country’s Tongue (1960), and Writing of the Blind (1964) reflect the traditions of German political lyric poetry established by B. Brecht and E. Kastner. In these works, Enzensberger opposed militarism and narrow nonpolitical attitudes. His poetry is deliberately devoid of strong emotion.

Enzensberger also writes publicist works and critical essays on art and politics, for example, Trivia (1962) and Politics and Crime (1964). His play Interrogation in Havana (published 1970) is a montage of the proceedings of the interrogations of participants in the unsuccessful intervention in Cuba in 1961. Since 1965, Enzensberger has been an editor of the “New Left” publication Kursbuch.

In 1963, Enzensberger won the Georg Büchner Prize.

WORKS

Der kurze Sommer der Anarchie. Frankfurt am Main, 1972.
In Russian translation:
“Stikhi—moi teni.” Inostrannaia literatura, no. 10, 1966.

REFERENCES

Arkhipov, Iu. I. “Levyi radikalizm v literature FRG.” In Ideologich. bor’baisovr. kul’tura. Moscow, 1972.
Über H. M. Enzensberger. Edited by J. Schickel. [Frankfurt am Main, 1970.] (Contains bibliography.)
References in periodicals archive ?
Ljupco Popovski in Utrinski Vesnik compares the 40 quiz questions that were recently posed by the great German thinker, essayist and poet Hans Magnus Enzensberger (who was presented with the "Golden Wreath" at the "Struga Poetry Evenings") regarding the situation and perspectives of the European Union in context to the situation Macedonia and its future is in.
In his prescient Granta essay on Gorbachev in 1990, the German writer Hans Magnus Enzensberger described the Soviet leader's chief talent as precisely this demolition" of "the second to the last remaining monolithic empire of the twentieth century without the use of force, without panic, in peace.
Influenced especially by Adorno, German poet and social commentator Hans Magnus Enzensberger uses the concept of "historical dialectics" as a seminal theme in two of his literary works: "Mausoleum: siebenunddreiBig Balladen aus der Geschichte des Fortschritts" and "Der Untergang der Titanic".
As the German poet and essayist Hans Magnus Enzensberger concludes, the United States, a nation of casual generosity, diverse religions, and isolationist beliefs "will always be something else, a world unto itself, a Western Heavenly Empire, a China of our imagination, a place to admire, to be grateful to, and to be baffled by forever.
Kursbuch editor Hans Magnus Enzensberger dismissed "superfluous events" such as Happenings and "Fluxus- and mixed-media shows" as well as the "banal fallacy" of "Concept art" for their limited reach and impact.
HANS MAGNUS ENZENSBERGER, perhaps Germany's most important and
THE END OF THE OWLS," HANS MAGNUS ENZENSBERGER, TRANSLATED BY JEROME ROTHENBERG
But the project also addressed, in sublimely irreverent ways, serious art issues, including originality, reproduction, mimesis, and the revolutionary potential of the copy machine a la Hans Magnus Enzensberger.
HANS MAGNUS ENZENSBERGER is one of Germany's most distinguished men of letters.
Also included is the rather grumpy review that Hans Magnus Enzensberger wrote when the novel was republished in Germany in 1963.
Zickzack is a collection of fourteen essays Hans Magnus Enzensberger wrote between 1989 and 1996, chiefly on matters political and cultural, though it begins with a somewhat historical one that yields the title.
The importance of this matter will be explained by Amazon-CTO Werner Vogels, poet Hans Magnus Enzensberger, Elizabeth Diller (Diller Scofido) and other specialists in this field.