Hans Memling


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Memling, Hans

 

Born circa 1440, in Seligenstadt, Hesse; died Aug. 11, 1494, in Bruges. Flemish painter.

Memling may have studied with Rogier van der Weyden. From 1465 he worked in Bruges. His works are distinguished by their serenity and clear colors. The religious scenes are reminis-cent of genre paintings of the burghers’ milieu (for example, the Chatsworth Triptych showing the Virgin and Child with the saints and donors [those who commissioned the painting], 1468, the National Gallery in London; and the panels for the St. Ursula shrine, 1489, Memling Museum, Bruges). However, in his works Memling somewhat rigidified the techniques of old Netherlandish painting. This dogmatic approach is particularly evi-dent in The Last Judgment, in which the artist achieved some monumentally of image (c. 1473, altar of the Church of the Virgin Mary, Gdansk). An especially noteworthy work is Bathsheba, a life-sized female nude, a rare subject in Flemish painting (c. 1485, Museum of Baden-Wiirtemberg, Stuttgart). In Memling’s portraits, most of which depict his patrons, the humanistic elements of his art are most clearly revealed.

REFERENCES

Nikulin, N. N. “Altar’ Gansa MemlingaStrashnyisud. “Iskusstvo, 1960, no. 12, pp. 62-69.
Friedlander, M. J. The Early Netherlandish Painting [vol. 6, part 1:“Hans Memling”]. Leiden-Brussels, 1971. (With bibliography; translated from German.)
McFarlaine, K. B. Hans Memling. Oxford, 1971.
References in periodicals archive ?
Like Hans Memling, who painted his "Scenes from the Passion of Christ" with a fifteenth-century Flemish background, in celebrating the via crucis in the Washington, DC, area, many of the sites chosen for "stations" are locations where the local community has experienced some type of violence or tragedy: the place of a murder or robbery, a corner for criminal activity, the site of a fatal accident, a burned-out home, etc.
Grant Wood was strongly influenced by the Northern masters, especially Hans Memling and Jan van Eyck.
In Flanders tapestries were designed by the most important artists of the day, including Jan van Eyck, Roger van der Weyden, Dirk Bouts, and Hans Memling, and weaving these copious collections took years.
Y eso lo hizo el pintor mas fino, el pintor mas delicado probablemente de toda la historia de la pintura europea: Hans Memling.
Van Eyck's star was thrown into the shade by Rossetti's discovery of an artist of a generation later, Hans Memling or Memlinc (1435-94), who worked in Bruges for most of his life.
In the 15th Century, it enjoyed a new era of luxury and prosperity when arts and banking flourished and famous painters including Jan van Eyck and Hans Memling had their ateliers there.
The city's best museum is the Boijmans van Beuningen (admission pounds 5), with a superb collection of works by Rembrandt, Breugel, Reubens, Hieronymus Bosch and Hans Memling.
The Hans Memling Museum's centerpiece exhibit, in the picturesque and medieval-like city of Bruges, shows six painted panels on a 15th-century, box-size shrine, telling the story of how St.
Flemish artist Hans Memling really got carried away, depicting some fourteen Madonnas with Child and saints with Ottoman rugs bearing wonderful geometric motifs.
650 works of art will be on view, among them rare Old Master paintings by Francesco Francia, Filippino Lippi, Hans Memling and Gabriel Metsu as well as the largest private collection of renaissance jewellery in the country.
He identifies some of the artists (if only by titles like "Master of the David Scenes") and shows how some were influenced by well-known masters, including Hans Memling, a contemporary of Alamire and many of the composers represented.
The point of departure is a representative selection of works from two great artists: Hans Memling (1430/5-1494) and Gerard David (d.