Hans Memling


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Memling, Hans

 

Born circa 1440, in Seligenstadt, Hesse; died Aug. 11, 1494, in Bruges. Flemish painter.

Memling may have studied with Rogier van der Weyden. From 1465 he worked in Bruges. His works are distinguished by their serenity and clear colors. The religious scenes are reminis-cent of genre paintings of the burghers’ milieu (for example, the Chatsworth Triptych showing the Virgin and Child with the saints and donors [those who commissioned the painting], 1468, the National Gallery in London; and the panels for the St. Ursula shrine, 1489, Memling Museum, Bruges). However, in his works Memling somewhat rigidified the techniques of old Netherlandish painting. This dogmatic approach is particularly evi-dent in The Last Judgment, in which the artist achieved some monumentally of image (c. 1473, altar of the Church of the Virgin Mary, Gdansk). An especially noteworthy work is Bathsheba, a life-sized female nude, a rare subject in Flemish painting (c. 1485, Museum of Baden-Wiirtemberg, Stuttgart). In Memling’s portraits, most of which depict his patrons, the humanistic elements of his art are most clearly revealed.

REFERENCES

Nikulin, N. N. “Altar’ Gansa MemlingaStrashnyisud. “Iskusstvo, 1960, no. 12, pp. 62-69.
Friedlander, M. J. The Early Netherlandish Painting [vol. 6, part 1:“Hans Memling”]. Leiden-Brussels, 1971. (With bibliography; translated from German.)
McFarlaine, K. B. Hans Memling. Oxford, 1971.
References in periodicals archive ?
The 15th century German-born painter Hans Memling loved Bruges, and until Dec.
The exhibition, Kehinde Wiley: Memling, features eight never-before-exhibited paintings by Wiley, all portraits based on works by 15th-century Flemish master, Hans Memling.
While in Europe, he learned most from masterpieces by such great artists as Albrecht Durer, Lucas Cranach and Hans Memling, and he rejected the kind of European art called "modernism" that was popular at the time.
The next large room focuses on the Netherlands, which is presumably where the Northern Renaissance began--in my view with Jan Gossaert's trip to Rome in 1508, but in this version with a portrait by Hans Memling of around 1475.
Chapter 1 demonstrates how Panofsky's authoritative account of the canonical masters Hans Memling and Hugo van der Goes consolidates the Hegelian criteria of naturalism and genius, enshrined in the nationalist scholarship of Max Friedlander, Wilhelm Worringer, and Max Dvorak, among others.
Culture vultures won't want to miss the Groeninge Museum which has an outstanding collection of Flemish paintings, the Hans Memling Museum in St Jan's Hospital which houses work by 15th century artists and the Onze Lieve Vrouwekerk has a marble of Madonna and Child by Michaelangelo.
On 25 January, Christie's New York offers another extraordinary rarity: one of probably just two panels remaining in private hands by Hans Memling, the pre-eminent Bruges painter of his generation.
1540), after Marinus van Reymerswaele, accompanies works by Botticelli, Fra Angelico and Hans Memling.
This skull by Hans Memling, once part of a diptych, is included in 'Prayers and Portraits: Unfolding the Netherlandish Diptych' at the National Gallery, Washington, DC (12 November-4 February 2007).
Together with Madrid's Museo Thyssen-Bornemisza and the Groeningemuseum in Bruges, the Frick Collection is to be congratulated for sheltering this beautiful show, which brings together some thirty portraits by Hans Memling and his followers.
Dirk De Vos, 17-20, also noted that Hans Memling borrowed several compositional types from Cologne artists such as Lochner.