Callahan, Harry

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Callahan, Harry

(1912–  ) photographer, teacher; born in Detroit, Mich. A pioneer in color photography (1944–64), he shot 8 × 10 pictures, supporting himself with grants until he went to teach at the Rhode Island School of Design (1961–77).
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DIRTY HARRY 10pm, Channel 5 A Maverick San Francisco detective 'Dirty' Harry Callahan sets out to capture a deranged sniper picking off victims at random.
Dirty Harry Wednesday, C5, 10pm When San Francisco is terrorised by the Scorpio killer, who demands ransom via notes left at the crime scenes, Harry Callahan (Clint Eastwood) is assigned to the case.
Harry Callahan (Clint Eastwood) - known as Dirty Harry to his colleagues, given his handling of cases - is assigned to the case.
Dirty Harry Callahan finds he isn't the most maverick cop in town anymore, when a motorcycle patrol officer starts taking matters into their own hands and bumping off San Francisco's undesirables.
Dirty Harry CLINT Eastwood's Harry Callahan caused a veritable storm when he exploded onto cinema screens in 1971, not least from those who saw his 'shoot first, maybe ask questions later' approach as a right-wing apology for a more fascistic style of policing.
The festival's closing night film, DIRTY HARRY, stars Clint Eastwood who made movie history when he took the role of Harry Callahan.
Maverick cop 'Dirty' Harry Callahan is unwillingly teamed with a female partner as he takes on a terrorist group 1976 **
Justice in horror comics anticipated the reactionary, uncompromising creed of Harry Callahan and Judge Judy.
But excepting the likes of Harry Callahan, police preferred lighter sidearms.
The 1971 classic crime thriller with Clint Eastwood as Inspector Harry Callahan, a San Francisco maverick cop tracking down a serial killer.
Clint on the set of Flags Of Our Fathers' The raising of the American Flag on Iwo Jima' Clint with his son Kyle, daughter Alison Eastwood, and hiswife, Dina' Clint in one of his most famous roles - Harry Callahan in Dirty Harry
The Ashland production starts well, as black- and white-costumed dancers turn gracefully around a nearly monochrome set; the huge, spare background consists of trees reminiscent of a Harry Callahan photo.