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Heinrich Schutz

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Schütz, Heinrich 

(latinized name, Henricus Sagittarius). Born Oct. 14,1585, in Köstritz, Thuringia; died Nov. 6,1672, in Dresden. German composer, Kapellmeister, and teacher.

In 1599, Schütz became a chorister in the chapel of the landgrave of Hesse-Cassel. From 1609 to 1612 he studied composition in Venice under G. Gabrieli. Schütz was the founder of many genres of German music and played an important role in stimulating musical life in Germany. He wrote numerous religious works—including passions, oratorios, cantatas, and the German Magnificat —that paved the way for many of the innovations of J. S. Bach and G. F. Handel. Schütz drew on the achievements of Italian choral, instrumental, and stage music, as well as the traditions of German religious and folk music.

Schütz was the composer of the first German opera, Daphne (1627), and the first German ballet, Orpheus and Eurydice (1638); neither of these works has been preserved.

REFERENCE

Andreev, A. “O Genrikhe Shiuttse i teorii doklassicheskoi muzyki.” Sovetskaia muzyka, 1972, no. 11.


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The book consists of seven central chapters, each devoted to a key player in the unfolding tradition of Lutheran church music: Johann Walter, Georg Rhau, Hans Leo Hassler, Michael Praetorius, Johann Hermann Schein, Samuel Scheidt, and Heinrich Schutz.
Italian influence had always been marked in the music of Germany from the sixteenth century onward, as is evidenced in the compositions of Michael Praetorius and Heinrich Schutz (who visited Italy twice), and the presence of Italians in German courts, such as Dresden, that had five or six Italians in its capella, including Antonio Scandello, capellmeister between 1568 and 1580.
The programme is based on settings of the 14th Century German carol In dulce jubilo (In sweet joy) by German composers Heinrich Schutz, Johann Schein, Samuel Scheidt and Michael Praetorius, with brass accompaniment.
 
 
 
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