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Heinrich Wolfflin

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Wölfflin, Heinrich 

Born June 21, 1864, in Winter-thur; died July 19, 1945, in Zürich. Swiss art critic.

Wölfflin became a professor at the universities of Basel (1893), Berlin (1901), Munich (1912), and Zürich (1924). He developed and masterfully applied a consecutive method of analyzing an artistic style, which he used in his early works to investigate “the psychology of an era” (Renaissance and Baroque, 1888; Russian translation, 1913; and Classical Art, 1899; Russian translation, 1912). Later, under the influence of Neo-Kantianism, Wölfflin further limited the tasks of analysis to the definition of “methods of vision”—systems of abstracted formal categories by which he grasped the characteristics of the art of different eras or peoples (Fundamental Understanding of the History of Art, 1915; Russian translation, 1930; and Italy and the German Concept of Form, 1931; Russian translation, The Renaissance Art of Italy and Germany, 1934).

REFERENCE

Strich, F. Zu Heinrich Wölfflins Gedächtnis. Bern, 1956.


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Heinrich Wolfflin once suggested that "not everything is possible at all times," and Strunz's historicism seems equally axiomatic.
Much in the manner of a latter-day Heinrich Wolfflin, whose Die klassische Kunst (1898) comes to mind in reading the studies of Michelangelo and Raphael (in CM), Kuhn hews to a formalist approach.
This is especially true of Alois Riegl and Heinrich Wolfflin, both of whom were obsessed by the "discovery" of universal historical laws that worked through individuals and across generations like the genetic formulae for red hair or green eyes.
 
 
 
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